Thursday, October 22

Breaking The Food Seduction: The Hidden Reasons Behind Food Cravings



Like many vegetarians, I wasn't completely Vegan, but a lacto-ovo vegetarian. Even though I knew dairy should be cut out of my diet, I'd lapse and have a veggie pizza, yogurt or something else with dairy in it once in awhile. And then there was that sugar-problem haunting me, knowing better, but . . . .

After reading Breaking the Food Seduction: The Hidden Reasons Behind Food Cravings, I now understand why I had a hard time completely breaking free of dairy products. By understanding the science of food, it made it easy to stop ingesting dairy products as well as foods with sugar and wheat.

The book reveals how certain foods trigger the release of natural opiates in the brain, causing a physical addiction that can be difficult to break. Casein, a protein found in milk, breaks down into smaller molecules called casomorphins during digestion. Barnard states that these morphine-like compounds then attach to the same receptors that heroin attaches to in the brain which may explain why so many people are seemingly addicted to dairy products, especially cheese. Dr. Barnard explains how sugar, chocolate and meat among the most addictive foods.

This knowledge altered my view immensely, actually making it easy to stop eating all dairy and sugar-laden foods. Reading Sugar Blues will also open your mind.

It's been two months and I no longer crave foods I formerly couldn't resist. More importantly I don't feel deprived of them - I simply am no longer interested in them. It's amazing.

I feel better and have lost weight without even trying. It's easy to change to a completely vegan lifestyle once you understand food addictions - and, as you've heard - changing your eating habits is the key. Along with a walk in the sunshine~

This knowledge in this book will help you
break the cravings, not fight the cravings.



Breakf
ast is important!
In a big bowl, I add
locally grown Organic Fruit in season,
Quick Organic Oats, (don't need cooking)
Organic soy milk or another non-dairy milk
Locally grown Honey
Let it sit for awhile so the oats get soft.
I usually eat a few spoonfuls at a time,
get dressed, a few more, etc.
I'm satisfied til around 2pm!

Food is essential to life. So are friends.
Getting together with friends often means eating.

E
ating healthy can be a challenge if you're not at home. So what I do is either eat before I go anywhere, or bring some yummy dish to share with others, thus making sure you have something to eat, and people won't keep asking you why you're not eating.

Breaking The Food Seduction offers lots of tips and quick, yummy recipes, as do Dr. Barnard's other books.


Presently I'm reading Foods That Fight Pain.

Dr. Barnard is the president of Physicians Committee for Responsible Medicine (PCRM), a nonprofit organization that promotes preventive medicine, conducts clinical research, and encourages higher standards for ethics and effectiveness in research.

Sunday, March 1

Coconut Palm Tree Silhouette



For thousands of years, coconuts have been an integral part of the diet in tropical climates, providing the nourishment needed to sustain a healthy life.

Friday, June 20

Veterans Must Fight for the Care They Deserve


When Everything Falls Apart

“Our convoy went through the [Green Zone, Baghdad] Gateway 310 times. I always thought it could be my last day. Our adrenaline was so high. When I was out there I could only think of IED’s, getting shot at, or getting harassed by the locals,” said Stephen Imamoto, specialist in convoy security. Imamoto was a Sargeant 1st Class with the 100th Battalion, 442nd in 2005.
“We were hit with 4 – 6 roadside IED’s (Improvised Explosive Devices). I have traumatic brain injury (TBI) – our truck was rocked really bad.” With a sigh, Imamoto said, “I probably aged 10 years, I really did.” Now retired, Imamoto shared his experiences in Iraq with The Honolulu Weekly, hoping it may help other veterans.

Stephen Imamoto, Sargeant 1st Class with the 100th Battalion, 442nd in Baghdad, 2005

“I wanted to retire when I had 20 years, but they Stop-Lossed me for two more years.” A weekend warrior no more, Imamoto was not allowed to leave the Army Reserves.


Tuesday, April 8

Blue Planet Summit


Blue Planet Foundation's mission statement is
. . . To change our world's energy culture

Hawai'i is a microcosm of our Earth. A location many think of as paradise. A perfect place to completely change our dependence on oil. Hawai'i has abundant natural resources ~ wind, waves, sunshine and geothermal (volcanic).

The island of O'ahu (The Gathering Place), opened its arms with aloha to host The Blue Planet Global Energy Summit from April 3rd through the 5th. This was Blue Planet Foundation's first annual Summit for strategizing as well as beginning to put into effect programs regarding energy issues.

Major changes are needed to meet our energy needs today and for our future. Moving toward change requires cooperation, communication, and understanding across various interest groups, industries and national boundaries. This can be done, according to Blue Planet Foundation, if there is a new vision for the way energy is generated, distributed and used.

Philanthropist Henk Rogers founded the Blue Planet Foundation because of his commitment to our environment. As a result of his entrepreneurship in the computer-technology-world, Rogers was able to pull together a very positive Summit for brainstorming and promoting the use of non-carbon, environmentally-friendly, clean energy sources while also talking about the economic benefits of protecting our environment. The three-day event was taped for two high-profile upcoming television shows. DVD's for academic, legislative and civic use will also be available offering inspiration to people around our world. Rogers believes the human imagination has the power and ability to solve our energy challenge.

Over sixty influential leaders in the environmental and energy fields participated in the Summit. Well-known speakers such as Robert F. Kennedy Jr. (environmental attorney, author, activist), Denis Hayes (Earth Day Founder, Professor, President of the Bullitt Foundation), Solomon Enos (kanaka maoli artist, helping organic MA'O Farms get off the ground), Dr. Heidi Cullen (scientist, climate expert at the Weather Channel), Ramsay Taum (Director of External Relations and Community Partnerships at the University of Hawa'i School of Travel Industry Management and Co-Director of Sustain Hawai'i), and Dr. Stephen H. Schneider (Nobel Prize winner and Professor) were just a few of the speakers that participated in the Summit.

Not Just Talk, but Action!

Blue Planet Foundation has teamed up with Evolution Sage to create an innovative Energy Returned on Energy Invested Program with Nanakuli High School that not only educates, but involves students in conserving energy as well as integrating what they learn about alternative solutions in order to make their school and their homes more energy efficient.

Kevin Vaccarello, Executive Director of Evolution Sage, (video) and Founder, Co-Executive Director of Sustain Hawai'i presented a brief overview of the Energy Invested Program's hands-on approach that will teach the students at Nanakuli High School how they can personally affect change in the real world.

To make this learning experience even more beneficial to the students, they will be asked to submit a "Walk Story with Blue Planet" Essay via Blue Planetʻs website and explain what the energy, water and money saved means to them, their family, their community and their world. The best 20+ essays will win a partial energy and water efficiency retrofit for their homes in the way of LED bulbs, faucet aerators, and low-flow showerheads (they're better than they used to be) .

Their project isn't over yet!! After having their homes retrofitted, the Nanakuli High School students will track the difference in energy and water consumption from the previous year to determine how much energy, water and money their family is saving.

The families will pledge to use those savings to further support the studentʻs education or use it for more sustainability-oriented solutions. Each household should save nearly $300/yr for over 20 years, which cumulatively for all households is more than $150,000 over the lifetime of the LED bulbs, low-flow showerheads and faucet aerators.

This pilot program can be used in schools throughout the country and world.

By actually participating in bettering ones life, the students as well as their teachers, will bring a new perspective to their energy uses, and the knowledge they have acquired will ripple through their family and community in many positive ways. Nanakuli's Principal, Darin Pilialoha is an enthusiastic supporter of the program.

I wouldn't be surprised if this Program generates even more innovative energy idea's generated by the students themselves.
Student's Share Their Concerns
An important component in the discussion, was that of Students from around the world. It's vital that the younger generations have a prominent voice at all discussions - they are the future leaders, and have much to offer.

The student environmental activists from near and far were: Chelsea Chee (Navajo Nation), Erda Rindrasih (Indonesia) Cristian Beccera Monroy (Mexico), Anna Rose (Australia), Silvia Gianetti Barber (University of Hawai'i) & Shanah Trevenna (University of Hawai'i)

Tracking Our Progress in Hawai'i
Hawaii can play a lead role in advancing the use of the many alternative energies presently available to us. As people voice their commitment to change, the political leaders will follow. Blue Planet Foundation and the participants of the Summit will return next year to share their accomplishments, and talk about the positive changes they've seen.

Every Positive Action Does Help!

For in-depth information on the Summit, go to Blue Planet Summit

Photo Gallery of the Blue Planet Summit


To change our world’s energy culture: Blue Planet Foundation

To change our world’s energy culture: Blue Planet Foundation PDF Print E-mail

Main NEWS Section - Environmental Events
By Suzanne Westerly
News From Indian Country 4-08

hawaii-group-large.gifStudent environmental activists came from near and far. From left: Anna Rose (Australia) Australian Student Environmental Network; Chelsea Chee (Navajo Nation) Black Mesa Water Coalition, Tribal Campus Climate Challenge (TCCC); Julie Rogers, biologist & daughter of Henk and Akemi Rogers; Cristian Beccera Monroy (Mexico), State Coordinator of GEO Juvenil Mexico, Environmental Commissioner of the Youth Network in Nayarit; Erda Rindrasih (Indonesia) University of Gadjah Mada, Department of Urban and Regional Planning, University of Hawai’i (UH); and Shanah Trevenna, Sustainable Saunders, UH.

Blue Planet Foundation doesn’t think small. Their mission statement is To Change Our World’s Energy Culture

Hawai’i is a microcosm of our Earth. A location many think of as paradise. A perfect place to completely change our dependence on oil. Hawai’i has abundant natural resources – wind, waves, sunshine and geothermal (volcanic). The island of O’ahu (Gathering Place), opened its arms with aloha to host The Blue Planet Global Energy Summit from April 3rd through the 5th. This was Blue Planet Foundation’s first annual Summit for strategizing as well as beginning to put into effect programs regarding energy issues. The theme running through the conference was that of moving toward change in order to meet our energy needs today and for our future. Positive change requires cooperation, communication, and understanding across various interest groups, industries and national boundaries. It involves all of us. This can be done, according to Blue Planet Foundation, if there is a new vision for the way energy is generated, distributed and used.

hawiian-speaker.gif

Ramsay Taum, Native Hawai’ian Culture & Sustainability, University of Hawai’i, Co-Founder of Sustain Hawai’i

Philanthropist Henk Rogers founded the Blue Planet Foundation because of his commitment to our environment. As a result of his entrepreneurship in the computer-technology-world, Rogers was able to pull Blue Planet Energy Summit for brainstorming and promoting the use of non-carbon, environmentally friendly, clean energy sources while also talking about the economic benefits of protecting our environment.

The three-day event was taped for two upcoming television shows. DVD’s for academic, legislative and civic use will also be available offering inspiration to people around our world. Henk Rogers believes, “The human imagination has the power and ability to solve our energy challenge.”

Over sixty influential leaders in the environmental and energy fields participated in the Summit. Well-known speakers such as Robert F. Kennedy Jr., environmental attorney, author, activist; Dennis Hayes, Earth Day Founder, Professor, President of the Bullitt Foundation; Dr. Heidi Cullen, scientist, climate expert at the Weather Channel; Ramsay Taum, Director of External Relations and Community Partnerships at the University of Hawa’i School of Travel Industry Management and Co-Director of Sustain Hawai’i; and Dr. Stephen H. Schneider, Nobel Prize winner and professor, were just a few of the speakers that
participated in the Summit.

Student’s Share Their Concerns


An important component in the Summit, was that of students from around the world. It’s vital that the younger generations have a prominent voice at all discussions – they are the future leaders, and have much to offer.

The student environmental activists from near and far were: Chelsea Chee (Navajo Nation), Black Mesa Water Coalition and who works with the Indigenous Environmental Network; Erda Rindrasih (Indonesia) University of Gadjah Mada, Urban and Regional Planning, UH; Cristian Beccera Monroy (Mexico), State Coordinator of GEO Juvenile Mexico, Environmental Commissioner of the Youth Network in Nayarit; Anna Rose (Australia) Australian Student Environmental Network; Silvia Gianetti Barber, Natural Resources and Environmental Management, UH; and Shanah Trevenna, Sustainable Saunders, UH.

During a panel presentation Gal Luft, with Institute for Analysis of Global Security, declared nuclear energy safe and clean. Chelsea Chee, (Dine’) Tribal Campus Challenge Coordinator with Black Mesa Water Coalition and Indigenous Environmental Network, took issue with his statement. “I don’t see nuclear energy as clean energy.”

Chelsea Chee expressed her first hand knowledge of the pain, suffering and deaths the Navajo people continue to endure because of the toxic legacy left behind by corporations who mined for uranium on the Navajo Nation for almost 40 years, beginning in the late 1940s. Sites never cleaned up, tailings blowing in the wind, entering their water supply. In 2006 the Navajo Nation voted to ban uranium mining on their land. The majority of those at the Summit agreed with Chelsea Chee.

Not Just Talk, but Action!

Blue Planet Foundation has teamed up with Evolution Sage to create an innovative Energy Returned on Energy Invested Program with Nanakuli High School.

Kevin Vaccarello, Director of Evolution Sage, Founder and Co-Director of Sustain Hawai’i, presented a brief overview of the Energy Invested Program’s hands-on approach that will teach the students at Nanakuli High School how they can personally affect change in the real world. Kevin Vaccarello explained, “Hot water and lighting account for about 50 percent of a homes energy use, so we said, let’s look at all the best solutions that are out there.” Based on those facts, the creation of a learning experience evolved for the benefit of the students.

They will be asked to submit a “Walk Story with Blue Planet” Essay via Blue Planet’s website and explain what the energy, water and money saved means to them, their family, their community and their world. The best 20+ essays will win a partial energy and water efficiency retrofit for their homes in the way of LED bulbs, faucet aerators, and low-flow showerheads (they’re better than they used to be).

Their project isn’t over yet!! After having their homes retrofitted, the Nanakuli High School students will track the difference in energy and water consumption from the previous year to determine how much energy, water and money their family is saving. The families will pledge to use those savings to further support the student’s education or use it for more sustainability-oriented solutions. Each household should save nearly $300/yr for over 20 years, which cumulatively for all households is more than $150,000 over the lifetime of the LED bulbs, low-flow showerheads and faucet aerators.

By actually participating in bettering ones life, the students as well as their teachers, will bring a new perspective to their energy uses, and the knowledge they have acquired will ripple through their family and community in many positive ways.

Nanakuli’s Principal, Darin Pilialoha, is an enthusiastic supporter of the program, “I see this is a great opportunity not only for the students to participate, but also for the school to participate in.” Perhaps the program will generate even more innovative energy ideas from the students themselves. Even better, this pilot program can be used in schools throughout the country and world.

Organic Farming

Although not a central issue during the conference, organic farming is another sustainability issue of grave importance. Solomon Enos, artist, and cultural activist enjoys teaching students about their cultural ties to Hawai’i as the project assistant of the five-acre Mala ‘Ai ‘Opio (MA’O) nonprofit farm. The farm is run by the Waianae Community Re-Development Corporation with funding from the Office of Hawaiian Affairs. Solomon Enos is the son of farmer and paniolo (cowboy) Eric Enos.

Hawai’i looking Forward

Hawaii can play a lead role in advancing the use of the many alternative energies presently available to us. As people voice their commitment to change, the political and business leaders will listen, and help bring funding to environmentally sound energy programs.

Here in Hawai’i, the world’s most remote island chain, we are extremely vulnerable to possible interruptions in our supply chain so it’s vital for us to wean ourselves from a dependence on oil while thoughtfully and earnestly making the change to renewable energy use while thoughtfully conserving energy in our everyday uses.

“In Hawai’i we can easily measure our fossil fuel use, just by counting the tankers that come in,” Henk Rogers noted. Because of this, he feels Hawai’i is the perfect place to measure our change in energy usage. The question he asks is why aren’t we using our natural resources such as wind, waves, geothermal and solar.

“The human imagination has the power and ability to solve our energy challenge.”

On The Net:
http://www.blueplanetsummit.org/

http://www.evolutionsage.com/
http://hawaiianislandsphotojournal.blogspot.com

Tuesday, April 1

Unusual Abode




Somewhere on O'ahu you may come upon this whimsical house

Tuesday, March 4

Ballet of Molten Glass



It's fascinating to watch Krista Woodward's hand ballet of molten glass as she melts and sculpts glass rods into enchanting ocean creatures. Krista is a lampworking glass artist.

Krista's most sought-after pieces are her flowing tropical fish that appear ready to swim away ~ aha . . . Oceans in Glass!

Wearing protective glasses, Krista turns on the 5,400 degree flaming hot torch, and chooses the glass tubes she'll use for her latest seahorse.

In order to prevent the rods from cracking due to the thermal shock, she introduces clear and colored glass rods slowly into the flame. As the glass becomes molten, Krista pulls, pinches, spins, embellishes, and lovingly manipulates the glass into wonderful sea life.

The finished lampwork is then annealed, meaning, heated very slowly at 1050 degrees, until its temperature reaches a stress-relief point, where the temperature of the glass is too hard to deform, but still soft enough for internal stresses to ease. The piece is then heat-soaked until its temperature is uniform throughout, then slowly cooled until its temperature is below a critical point, where it can't generate internal stresses. This process helps to insure the piece won't crack or shatter due to minor temperature change or other shock.

Lampworking has been around since ancient times. It became popular in 14th century Italy, and again in 19th century France. Today, lampworkers have higher tech torches, but the art is the same. Lampworkers begin with glass rods, sometimes infusing metal oxides like tin, cobalt, gold and silver into their sculptures for a variety of looks.

Oceans in Glass is a dreamlike gallery of colorful glass sculptures sparkling in the sunlight ~ some are hanging, some are on interesting pedestals of gnarled tree roots ~ "harvested without harming the trees," Krista explained to me as we strolled through the gallery looking at her pieces and those of several other artists.

Krista grew up in New England attending Waldorf Schools where her artistic talents blossomed. Upon coming to Hawai'i 18 years ago, she apprenticed under a Master Lampworker for four years. Today after seventeen years of lampworking, Krista is herself a Master, and has apprentices of her own.

Krista finds inspiration for her sculptures while snorkeling and diving around tropical coral reefs in Hawai'i's crystalline turquoise waters.

It's very cool to watch Krista or one of her apprentices shape a sculpture of colored glass before your very eyes!


Krista will create custom pieces for you if you ask, as well as ship them to you - guaranteed undamaged.

No, Krista doesn't have a website. She's already quite busy keeping up with the demand for her beautiful sculptures. One person can only do so much! Stop by Oceans in Glass, you'll be glad you did, it'll make you smile.

Oceans in Glass Gallery is located between a gorgeous old grandaddy ficus tree, and the Hale'iwa Surf Museum, a great little museum, in the Marketplace Shopping Center in Hale'iwa along the Kamehameha Highway on O'ahu's North Shore. George Atkins is the owner of Oceans in Glass and the nearby Hale'iwa Art Gallery.


Watch the entire sculpting process here

Monday, November 17

Island Pow Wows

11-17-2003

Westerly, Suzanne
News From Indian Country

Island Pow Wows

Warm breezes in the land of never-ending-summer welcomed Native Americans from the "mainland" for three consecutive weekends of pow wows on three of the Hawaiian islands this fall. Having a pow wow in Hawaii gave Native Americans living here a touch of home, and spectators the opportunity to
see the skillful dancers dressed in beautifully handcrafted regalia. The
29th Annual American Indian Pow wow, held October 4-5 on Oahu, was the only
powwow of the three that had competition dancing.

September 27-28, the 10th Annual Waimea Powwow was held on the Big Island,
or Hawaii. Buttons Lovell (Cherokee/Hawaiian) is a Sundancer who missed
being at pow ...

Monday, December 30

Wisconsin’s Natives Tell Their Own Histories [Full Story]

December 30, 2002


Wisconsin’s Natives Tell Their Own Histories

By Suzanne Westerly
December 30, 2002

Like branches weighed down by a heavy snowfall, the 12 Indian nations of Wisconsin have been burdened with the weight of almost 200 winters of traumatic events. But like branches after a spring thaw, these nations are again standing strong today.

Author Patty Loew, Ph.D., an enrolled member of the Bad River Band of Lake Superior Ojibwe, has written a powerful and important new book, “Indian Nations of Wisconsin: Histories of Endurance and Renewal.” In her book, Loew weaves together origin stories, ancient songs, art, and symbolism with the historical perspectives of Wisconsin’s first people. She also discusses the critical Native issues of today: the economic and political developments along with the ongoing struggles over the environment, treaty rights, and sovereignty.

Lowe has long been frustrated by books about Wisconsin’s Natives based on “white” sources: missionary accounts, traders’ journals, and government documents. When asked to write the text for a large exhibit on Indian nations for Wisconsin’s sesquicentennial, Loew enthusiastically accepted. It was an opportunity to educate the state’s residents about the Natives’ triumphs over centuries of injustice.

Loew’s intensive research led to her absorbing “Indian Nations of Wisconsin.” You’ll find yourself reading every word, even the chapter notes in the back, and checking her recommended resources (videotapes, CD-ROMs, Web sites) and further reading. This book should be part of Wisconsin’s the high school curriculum, but it’s valuable for anyone interested in a genuine history of the state.

In the preface Loew writes, “I have attempted to use as many Native sources as possible: speeches delivered by chiefs during treaty negotiations, origin stories, songs, legends, cave paintings, Native newspapers, and so on. I have tried to refer to the Native people as they refer to themselves. I use the word Haudenosaunee instead of Iroquois . . . Mesquakie instead of Fox . . . Anishinabe or Ojibwe instead of Chippewa.”

In exploring Wisconsin’s rich Native heritage, Loew has created compact yet comprehensive tribal histories. We learn about the uniqueness of each Indian community: the Ho-Chunk, Menominee, Potawatomi, Oneida, Mohican, Brothertown (not federally recognized), and six bands of Ojibwe. Loew mentions their relations with the Dakota, Sauk, Mesquakie, Mascouten, Kickapoo, and other tribes.

As Loew explains, with the advent of French and English fur traders, life for Wisconsin’s Natives would never be the same. The traders introduced firearms, debilitating alcohol, and a variety of European goods that Natives became dependent on, to the detriment of their way of life. Soon came devastating waves of European diseases and missionaries, who imposed Christianity on the Natives, often forcefully.

To better elucidate history, Loew discusses how Euro-American wars (the American Revolution, the War of 1812, the Civil War, World War I and II) triggered problems for Wisconsin’s tribes, especially the unrelenting encroachment onto their lands. We learn why Natives chose to fight with or against the French, English, and Americans.

Loew exposes the truth about U.S. treaties with Wisconsin’s tribes. For hundreds of years, and still today, Wisconsin’s Natives have determinedly fought for a land base as coercive treaties have taken their homelands. For instance, Loew describes the dilemma of the Brothertown Tribe of Wisconsin. In 1878, Congress acknowledged Brothertown as a tribe but appointed five trustees to oversee the sale of unallotted Brothertown land. Today, the tribe works optimistically to become federally recognized again.

Throughout her book Loew illustrates the significant impact the French, English, and American governments have had on Wisconsin’s Natives. Damaging government policies have included the establishment of reservations; allotment and fractionalization; the Browning ruling, which sent children to boarding schools; the Indian Reorganization Act; the New Deal assimilation programs; and termination and relocation.

We also learn about the victories of admirable warriors such as war chief Little Turtle (Miami), Tecumseh (Shawnee), Black Hawk (Sauk), and Chief Buffalo (Ojibwe). Bringing us into contemporary times, Loew touches upon modern day warriors: the activists in the pan-Indian and Red Power movements, the American Indian Movement (AIM), and individuals like Dorothy Davids.

“They tried to erase us,” said Davids (Mohican) of the boarding schools Indian children were forced to attend. She was the first American Indian woman to graduate from the University of Wisconsin-Stevens Point, going on to earn a master’s degree. Davids acknowledged the positive side of the boarding-school experience: learning to read and write. Eventually, she said, “We were able to stand up and criticize some of the government’s policies.”

One conflict started in 1974 when two Ojibwe brothers, Mike and Fred Tribble of Lac Courte Oreilles, were arrested for ice fishing on a lake off their reservation but within territory the Ojibwe claimed for hunting and fishing. In Chapter 5, Loew quotes one of the brothers: “When they said I was doing it illegally,” Mike Tribble recounted, “I took the treaty out of my back pocket and I said, ‘No, I’m doing this under treaty rights.’”

When the Ojibwe went spear-fishing the following year, angry protestors tried to stop them with legal action, political pressure, death threats, and violence, including gunshots fired at boats. The Ojibwe and their supporters fought back with nonviolent tactics. By 1991, the U.S. Supreme Court reaffirmed the right of the Lake Superior Ojibwe to hunt, fish, and gather on lands ceded in Minnesota, Michigan, and Wisconsin.

“Indian Nations of Wisconsin” shows repeatedly that, despite tremendous adversity, Native Americans have always had enough resilience to adapt and succeed. Now they’re a growing political power.

Wisconsin’s Native nations are experiencing a renaissance, Loew writes. Many are reaping the economic benefits of Indian gaming. They’re funding projects such as roads, health-care services, elder housing, community centers, schools, and Head Start. They’re building an economic infrastructure and seeing entrepreneurship blossom.

Casino profits are helping in other ways. Tribes are cleaning up environmental messes and hiring attorneys to fight mining companies and other corporations that have ravaged tribal lands.

Loew also notes how Wisconsin’s Natives are returning to their cultural roots rather than leaving the reservations behind. She attributes this in part to the availability of education, jobs, and other advantages non-Natives take for granted.

Loew superbly integrates volumes of information, fascinating photographs, and insightful interviews into “Indian Nations of Wisconsin.” She leaves the reader feeling hopeful in her engrossing and enlightening new book.

Patty Loew, a recipient of the Outstanding Service Award of the Great Lakes Intertribal Council, is an assistant professor in the Department of Life Sciences Communication at the University of Wisconsin-Madison, a producer for WHA-TV (PBS), and co-host of a weekly news and public affairs program on Public Television in Wisconsin. She has produced several award-winning documentaries and written dozens of scholarly and general-interest articles on Native topics.

“Indian Nations of Wisconsin: Histories of Endurance and Renewal” is published by the Wisconsin Historical Society Press (www.shsw.wisc.edu/publications). Suzanne Westerly can be reached at suzannewesterly@earthlink.net


Thursday, October 31

Protesters march on SRP to save Zuni Salt Lake

10-31-2002
News From Indian Country

Zuni and Hopi runners arrived at Papago Park in Phoenix the morning of Oct.
14 after a 300-mile run which began at Zuni Pueblo Tribal Headquarters.
About 100 supporters from the Zuni Salt Lake Coalition were waiting at the
park to welcome the runners.

The group's goal on this Columbus Day was to deliver a strong message to
William Schrader, president of Arizona's largest power company, Salt River
Project (SRP): Drop SRP's plans for the Fence Lake Coal Mine so Zuni Salt
Lake and other sacred sites will not be harmed.

"We're using our tradition of running to deliver our message to tribes and
others about what SRP is planning to do," said Carlton ...

the rest

Saturday, June 15

Celebrating outstanding achievements by Native performers Celebrating outstanding achievements by Native performers, full story

Canku Ota Logo

Canku Ota

Canku Ota Logo

(Many Paths)

An Online Newsletter Celebrating Native America

June 15, 2002 - Issue 63

pictograph divider

Celebrating Outstanding Achievements by Native Performers

by Suzanne Westerly, Photojournalist
All photos copyright © 2002 of Suzanne Westerly

As the sun melted into the ocean, people began gathering at the ritzy Century City Plaza Hotel in Beverly Hills for the 10 th Annual First Americans in the Arts (FAITA) extravaganza on February 2nd. Beautifully attired women and men greeted old friends and caught up on what had been happening in each other's lives, exchanged business cards and talked about future events.

Inside the beautiful room where dinner was served followed by the award show, were three large IMAX screens which allowed everyone unrestricted visibility of the presenters, award winners, the entertainment, and the wonderful film clips that preceded each award winner.

Over ten years ago, FAITA Vice Chairperson Dawn Jackson (Saginaw Chippewa), and Chairman Bob Hicks (Creek/Seminole) saw the importance of recognizing "Native performers in the arts; representing theater, stage, film, television and music," explained Dawn. They felt Native performers weren't getting the recognition they deserved. Thus FAITA was born.

The evening was hosted by the irrepressibly charming Wes Studi, (Cherokee), who had the audience laughing throughout the night. Later, Charlie Hill (Oneida) who was one of the presenters, had everyone laughing too, as seen in the accompanying photo.

Here are just a few of the happenings from the recent evening at the FAITA's.

Irene Bedard (Inupiat Eskimo/Cree), received the award for Best Guest Performance by an actress in her role as a CIA agent in the TV show, The Agency. Upon accepting, Irene laughed and said she had fun playing one of the roles many actors hope to play -- a CIA agent.

Presenting the award for best actor in a TV series to Mitch Longely for his role in Judging Amy, was actor, Floyd Red Crow Westerman (Dakota Sioux), and actress Kateri Walker (Ojibway/Odawa/Potowatomi), both previous FAITA winners.

Among the entertainment of the evening was two-time Grammy winner and musical legend, Rita Coolidge (Cherokee/Scottish). Introducing the song she would sing, Rita said, "I'm going to do just a couple of versus from a song that is considered the Cherokee National anthem, because it was the song most sung on the Trail of Tears." With her beautiful velvety voice, Rita sang Amazing Grace acappella in Cherokee.

Later that evening, Rita was honored with FAITA's Lifetime Achievement Award. But prior to her introduction, a wonderful film collage highlighting Rita's 30 years as a singer was shown on the big screens.

Introducing Rita, Mary Youngblood (Chugach Aleut/Seminole), Principal Chief of the Cherokee Nation, Chad Smith, and his wife Bobbi, articulated Rita's many accomplishments.

The beautifully elegant Rita Coolidge then walked on stage smiling as the audience applauded. With a laugh, she said, "My gosh, when I look at that footage it makes me feel like I've been around a lot longer than I remembered."

Talking with Rita before the FAITA ceremony, she said she would be leaving the next Tuesday to sing at the Opening Ceremony at the Olympics where Rita, her sister Priscilla, and Priscilla's daughter Laura Satterfield, performed along side Robbie Robertson.

Recipient of the award for Outstanding Achievement in Dance was the very exhilarated Marla Bingham (Wampanoag from Mashpee/black), who seemed to float as she came across the stage. Marla is an internationally known dancer and choreographer, and the founder of the Marla Bingham Contemporary Ballet Company.

After the show, Kateri had fun posing for photos with N. Bird Runningwater (Cheyenne/Mescalero Apache), who expressed himself "artistically" with his outfit, as you can see in the photo. "I wanted to reflect the surroundings from the world we live in today," he explained. "Floyd told me he liked the outfit, and asked what it meant. I told him, it's sort of a new take on the shades-and-braids look," said Bird laughing. "The term apple (in rhinestones on his shirt) is such an ironic and contradictory term that Indians use against each other. Nobody ever publicly references it; it's a colloquialist term. I wanted to be thought provoking, not to rebel against anything -- I just want to raise individual consciousness." He continued, "I think we are naturally philosophers and thoughtful people, and I want people to think about language." Bird's other persona is as the person who runs the Native American Program at the Sundance Institute, and programmer for Sundance Film Festival in Los Angeles.

The band Redbone played at the party following the award presentations. Those who wanted to be able to actually hear each other talk, mingled outside the party room. Reluctant to let the night end, and not wanting to leave friends they rarely get to spend time with, some people stayed up all night and welcomed in the new days sun.

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(Use the back button on your browser to return to this page.)

Actor Zahn McClarnon (Hunkpapa Dakota/Irish)

Veteran actor Saginaw Grant (Creek), and Tim Sampson (Creek), who is appearing in the Broadway production of One Flew Over the Cuckoo¹s Nest, received a FAITA award for Theater.

Comedienne Charlie Hill (Oneida) and actor Floyd Red Crow Westerman (Dakota Sioux)

Actress Kateri Walker (Ojibway, Odawa, Potowatomi), past FAITA award winner and a presenter this year with actor, writer, publisher Harrison Lowe (Diné)
Actress Kateri Walker (Ojibway, Odawa, Potowatomi) with N. Bird Runningwater (Mescalero Apache, Cheyenne)
Apensanahkwat (Menominee Chief), Max¹s date, Steve Reevis (Blackfeet), actor and activist Max Gail, and Macile Reevis
What Bird looks likes most days as the chairman of the board for Native Americans in Philanthropy, and advisor to the Sundance Institute's Native Film Program.
Actor Miko Hughes (Chickasaw)
Stuntman David Alvarado (Karankawa/Tonkawa)
Award winner Molly Culver (Choctaw)
Stuntman and actor Henry Kingi, Sr. (Cherokee/Black/Anglo) received a FAITA award for Lifetime Achievement in Stunts
Melonie Mathews and Miss Indian World, Ke Aloha May Cody Alo (White Mountain Apache/Hawaiian)
Choreographer and dancer Marla Bingham (Wampanoag from Mashpee) received the Award for Technical Achievement, with actor Andrew Roa (Shasta and Oaxaca)

Actor Steve Reevis, (Blackfeet)

Actor Timothy Vahle, (Choctaw)
Actor Mitch Longely - FAITA Outstanding Performance by an Actor in a TV Series
Michael Horse (Zuni, Yaqui, Mescalero and Apache)
FAITA Vice Chair Dawn Jackson (Saginaw Chippewa), Chairman Bob Hicks (Creek and Seminole) and FAITA producer, Jackie Kane
(The photos of Rita and Priscilla (bottom) and Laura Satterfield (top) were taken in November at the Native American Music Awards in Albuquerque, NM)
Actor Apensanahkwat (Menominee Chief) with actor Michael Greyeyes (Cree)
Flutist Mary Youngblood (Chugach Aleut/Seminole) Rita Coolidge (Cherokee) with friend, talking with Principal Chief of the Cherokee Nation, Chad Smith
Actor Floyd Red Crow Westerman, (Dakota Sioux) Actress Sophia Gerodimous, James Main Jr. (GrosVentre), Actor Steve Reevis (Blackfeet) and wife Macile, and friend

Saturday, March 9

An "Urban Indian" Finds His Culture and His Career, full story

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An Online Newsletter Celebrating Native America

March 9, 2002 - Issue 56

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An "Urban Indian" Finds His Culture and His Career

by Suzanne Westerly Canku Ota Correspondent
credits: Suzanne Westerly

Michael Wise"My family moved here in the 50's after WWII," said Michael Wise, who grew up in Los Angeles. They didn't talk about their Cherokee culture. He only knew his mom was French and English, and that his dad came from New Mexico after leaving Oklahoma. "Dad's side didn't really pay too much attention to their heritage, possibly because if you did say you were Indian you would be pushed aside or worse. I didn't really know anything until my grandmother came and lived with us and told us that we were Indian. I was about 12. She shared the culture with my two brothers and myself," Michael remembered.

"We all sat around and listened to our grandmother tell stories, but she didn't know too much because her family wasn't from the reservation either, she was born in 1890 so everything was pretty messed up around then. Most of my Cherokee heritage was all kind of scattered and broken up, it wasn't like I came off the reservation. The Trail of Tears just sort of blew everybody to the wind, as far as my personal ancestry goes."

"I think I knew I was Indian before I even knew I was Indian. I always had an interest in it. I didn't know anything about Cherokee culture, and living out here I didn't have anyone to go to who could really help me get a handle on it. But over the years, it's been a little bit here, a little bit there. I’ve run into a lot of dead ends. Some I can trace way back. Like one of my ancestors was Carolina Crow, she was from Memphis. Well that was all Chickasaw territory so I don't know if she was Chickasaw or if she was Cherokee who just moved over there. One of my uncles said that he was Cato which was that whole Mississippi area, and that is where Cato are now," he said.

"My uncle told me things about my dad and his brother, and their father and his father and then it ends. I asked my Uncle, "'how come we can't find anything?' He told me, "'Because back in those days you didn't say anything. You just kind of disappeared, and there weren't any records. So, for us to look for birth records or death records, or anything - it just wasn't written down. Somebody died, you dug a hole, you did the ceremony. So we have a lot of dead ends and no one to go to to find out what happened," Michael said.

When Michael went to college, he continued searching. "I went to the University of Arizona in Tucson, so I joined up with the Amerind Club; the American Indian club. We'd head out to the desert on Saturday nights and sing and then we'd get together at a friends house and drum and sing. And there were Pow Wows around Arizona, and I made my own regalia. It was a lot of work. I still do bead work but not like I used to," he said. "I did the Southern Straight Dance. I think Fancy Dance and Grass Dance is more for the younger guys, it's a lot of work," he said with a laugh.

Becoming an Actor
Michael Wise - closeupMichael started acting in grade school and continued through college. Thinking he should study anthropology or geology or something," he did.

But acting found him again when someone from Hollywood spotted him in Tucson, and he found himself "cast as an extra out in old Tucson doing the New Maverick with James Garner and Jack Kelly. I thought, so this is what acting is all about, these guys are pros. James Garner, is a wonderful, wonderful man," said Michael adding, "It was a pilot that didn't get picked up."

"Then I did Road House, and Next of Kin, two Patrick Swayzee movies; Deathwish 4, with Charles Bronson, and then I started doing a lot of independent productions."

Native Americans In Film And Television (NAFATA)
As a longtime actor, Michael was a member of the Native American Caucus of the Screen Actors Guild (SAG). Their monthly meetings were held at SAG until last year when they were told that SAG didn't have anymore funds for a meeting room for their caucus.

Michael felt the Caucus played a vital role for Native actors, and didn't want to see the meetings just fall apart. He had been doing plays over at the Autry Museum of Western Heritage with Native Voices, and remembered that Scott Kratz, the Assistant Director of Education at the Autry had offered a room at one time for Native American meetings or plays. So Michael asked, and Scott said "sure."

It's difficult trying to organize alone so the meetings didn't really take off until Duane Humeyestewa (Hopi) started attending. They discussed “creating films, and having workshops; acting workshops, writing workshops, directing workshops,” said Michael. Reenergized, Michael and Duane co-founded Native Americans In Film and Television Alliance NAFATA.

Michael Wise (Cherokee) and Duane Humeyestewa (Hopi) are the founding members of NAFATA, Native American Film and Television Alliance, established to serve as a resource outlet for the Native community involved in the film and television industry.

They decided to open NAFATA up to actors who werenít in the Screen Actors Guild (SAG)ís Native American Caucus. Today NAFATA has a variety of categories, Michael explained, "the union actors and the non-union actors, writers, directors, producers and behind-the-scenes crew people as well. If somebody is interested in doing set design, or stunts, or wrangling, then what we'll do is we'll have different categories for these things on our web page. So we can get this out to the studios and make the studios aware of this group, our data base and web site so that they will be able to hire more Native Americans."

Getting a film made. "It's difficult because there aren't enough resources. That is one of the reasons for developing NAFATA," said Duane. "One tangent of it will be a non-profit where we raise money from all kinds of sources to provide funding for filmmakers, actors, and writers so they can get an education. Help them get through school, provide grants, provide money to get the projects done. Because most of the Native writers and directors know that if they just had a couple thousand dollars to experiment, try a project just to see what would happen; they would love that," he said, with enthusiasm, "and that's the whole notion behind NAFATA. Giving people the opportunity."

Seminars and Workshops are available are very reasonable rates. Michael and Duane feel strongly that there is a need for continuing education and so NAFATA members are aware of ongoing changes in the industry.

"As the entertainment and information industries have evolved, so has participation in them by Native Americans. Today, more and more Native people work as writers, directors, actors, and technical personnel in film and television, and in new media resources such as the Internet (the Web)."

The mission and goals of NAFATA are to promote a stronger presence of Native peoples in all the media, help protect Native artistic rights, and to strengthen skills, abilities and power as artists, through a collective presence and action.

They also hope to share Native culture and heritage with the rest of the world through the voices of the dozens of members who comprise the Native American Film and Television Alliance.

The above is a synopsis of the NAFATA web site which can be found at www.nafata.org and statements by Michael Wise and Duane Humeyestewa.

And to find out about NAFATA to either become a member or to see their movie shorts, go to their website at www.nafata.com.

For more information go to www.nafata.com.

To find out more about Native Voices and the plays they put on, contact Scott Kratz at the Autry, 323-667-2000.

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Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. section 107.



Canku Ota is a copyright © 2000, 2001, 2002 of Vicki Lockard and Paul Barry.

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Thursday, February 28

Celebrating outstanding achievements by Native performers

02-28-2002
News From Indian Country

As the sun melted into the ocean, people began gathering at the ritzy
Century City Plaza Hotel in Beverly Hills for the 10th Annual First
Americans in the Arts (FAITA) extravaganza on February 2nd. Beautifully
attired women and men greeted old friends and caught up on what had been
happening in each other's lives, exchanged business cards and talked about
future events.

In the dining room, where dinner was followed by the award show, were three
large IMAX screens which allowed everyone unrestricted visibility of the
presenters, award winners, the ...

The sculptures of Allan Houser Haozous at the Olympics

02-28-2002
News From Indian Country

Entering the 2002 Winter Olympics, athletes from all over the world were
welcomed by the larger-than-life bronze sculpture, "Sacred Rain Arrow,"
created by one of the most important American artists of the 20th century,
the internationally respected Master sculptor Allan Houser Haozous.

A Warm Springs Chiricahua Apache, Allan Houser was proud of his heritage,
which he portrayed in "Sacred Rain Arrow," a sculpture of a young Apache
warrior shooting his arrow towards the heavens with the hope of carrying a
prayer for rain to the Spirit World.

Full Story and photos

Celebrating outstanding achievements by Native performers Celebrating outstanding achievements by Native performers

02-28-2002

Westerly, Suzanne
News From Indian Country


10th Annual First Americans in the Arts


As the sun melted into the ocean, people began gathering at the ritzy
Century City Plaza Hotel in Beverly Hills for the 10th Annual First
Americans in the Arts (FAITA) extravaganza on February 2nd. Beautifully
attired women and men greeted old friends and caught up on what had been
happening in each other's lives, exchanged business cards and talked about
future events.

In the dining room, where dinner was followed by the award show, were three
large IMAX screens which allowed everyone unrestricted visibility of the
presenters, award winners, the entertainment, and the wonderful film clips
that preceded each award winner.

Over ten years ago, ...

Read the rest HERE

Saturday, February 23

Thoughts of Bison Roaming Wild and Free Over the Land, full story

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February 23, 2002 - Issue 55



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Thoughts of Bison Roaming Wild and Free Over the Land



by Suzanne Westerly "Canku Ota" Correspondent


credits: Photo of Danny and Jonette by Suzanne Westerly

Photo of Danny and Jonette by Suzanne WesterlyPICURIS PUEBLO, NM - "The government used the bison to take land away from Indian people, now we want to use the bison to acquire the land back for ourselves. That's our goal. We'd like to see the bison roaming again. Strong herds, not just little ranch herds, we want to see wild herds. They are good for the land."

Before the bright rays of sunshine appear over Picuris Peak in Northern New Mexico to warm the secluded valley where the Pueblo of Picuris sits, Danny Sam, the Bison Manager, has already begun his day amongst the Pueblos herd of 25 bison; make that 26.

"The bison usually give birth very early or very late in the day," Danny explained, "and it's rare to be able to witness a birth. It was wonderful to be there." Danny talked enthusiastically about how their herd started with the Pueblos acquisition of one pregnant buffalo cow in 1991.

These big beautiful bison are very special to Danny's family, and to all the people at Picuris Pueblo. But Danny, Jonette and their two children; Daniel 12, and Maria,10 spend many hours caretaking their four-legged friends, and have a special bond with them.

"We love the bison, that's for sure," said Danny. "It's been a whole learning experience for us. You don't find too much information on bison."

Creating a Sustainable Economy
"We want to use our bison in a helpful way so it benefits the community and helps us acquire the land back that we feel should be ours." Danny said with determination. "As long as we can make a living, provide meat for the community and have a sustainable herd, that is the goal for us." He also talked about the traditional spiritual link to these very majestic creatures. The Buffalo Dance is held every winter at Picuris.

Since Danny has taken over as Bisonkeeper, he and Jonette, who is the Assistant Bison Manager, have been focusing on finding outside sponsors to help the program grow. They hope to expand the bison's grazing land by acquiring about a thousand acres of land somewhere east of the Pueblo, "where there is some good grass, a better habitat." That means putting up a lot of fences that are "bison-proof." Since bison's natural instinct is to roam freely for their food, and because of their size and power, fences must be especially sturdy. That requires writing grant proposals for funding, which is part of Jonette's responsibilities.

Educating the Youth
During the summer, Danny gets some help from the older kids in the Taos-based group, Youth Conservation Corps. The younger kids come to the Pueblo on school field trips. Danny and Jonette tell the kids about tanning a hide, and all the items made from the rest of the bison, a lot of which they learned at the InterTribal Bison Cooperative (ITBC) conferences they attend, sometimes taking their two children along.

How Do You Vaccinate a Bison?
No one wants to get a shot, but Bison are a special challenge. "Most of the time when we get a fight out of them is when we are running them through the handling system and vaccinating them. Containing them in small areas, they become a handful," Danny said very seriously.

"We try to use a real subtle approach. Right now, myself and Jonette can get all of them into the corral, and we can run them through the alleyways and chute system on our own. We try to keep it real nice and easy-going and try not to upset them too much. You know, when you get a lot of people out there and everybody is yelling, I think that just really upsets them a lot. So we try to keep quiet and keep our movements down to a minimum and let them decide to go in the corral, not us pushing them!" he said. "You don't want to get any gentle nudges from them, that won't be to good if they use their horns. The bull weighs over 2,000 pounds I'm sure."

Danny hopes the bison program will grow big enough to employ his children and others on the Pueblo one day so they don't have to leave the Pueblo to find jobs.

"It's going to take time to develop, and I think the money will come if our heart's in the right place you know."

Bison Were Essential To Life
At Intertribal Bison Cooperative (ITBC) conferences you will find an exhibit on the many uses of a bison.

Besides using the hide as leather for clothing, footwear and teepees, there were many others uses for the entire buffalo.

"There is a rawhide box made out of buffalo, and its got different things in it, like a bladder that's been washed and dried and made into a water container, another one that's been dried and folded and made into a pouch for carrying porcupine quills. The hooves, the horns, made into bowls, into spoons, ladles and tools. Bones were used for painting with, and for toys. ITBC has a poster available that shows the bison's anatomy and all the ways the body parts were used, probably thirty uses. Everything was used even the undigested grass in their belly, it was used for paint and the manure was used for fuel in the old days,” said Danny Sam, Bison Manager at Picuris Pueblo in New Mexico.

The Intertribal Bison Cooperative

Excerpts taken from ITBC's Mission Statement, & History


"The Indian was frugal in the midst of
plenty. When the buffalo roamed the
plains in multitudes, he slaughtered
only what he could eat and these he
used to the hair and bones."

Luther Standing Bear, Lakota

They gathered in the Sacred Black Hills of South Dakota on a cold February day in 1991. With only four days prior notice, nineteen tribes from all four directions braved the harsh Dakota winter to attend. Lakota representatives from most of the reservations in South Dakota were there, as well as the Crow, Shoshone-Bannock, Gros Ventre /Assinoboine and Blackfeet Nations of Montana. Various Pueblo representatives from New Mexico pulled in, and the Winnebago, traditionally called Ho Chunk, from both Nebraska and Wisconsin came. Choctaw Nation of Oklahoma, and some as far west as Round Valley of California arrived. Some of these tribes were historically enemies, but now they unite for a common mission . . .

"to restore bison to Indian Nations in a manner that is compatible with their spiritual and cultural beliefs and practices".

Our History . . .

The American buffalo, also known as bison, has always held great meaning for American Indian people. To Indian people, buffalo represent their spirit and remind them of how their lives were once lived, free and in harmony with nature. In the 1800's, the white-man recognized the reliance Indian tribes had on the buffalo. Thus began the systematic destruction of the buffalo to try to subjugate the western tribal nations. The slaughter of over 60 million buffalo left only a few hundred buffalo remaining.

Without the buffalo, the independent life of the Indian people could no longer be maintained. The Indian spirit, along with that of the buffalo, suffered an enormous loss. At that time, tribes began to sign treaties with the U.S. Government in an attempt to protect the land and the buffalo for their future generations. The destruction of buffalo herds and the associated devastation to the tribes disrupted the self-sufficient lifestyle of Indian people more than all other federal policies to date.

To reestablish healthy buffalo populations on tribal lands is to reestablish hope for Indian people. Members of the Intertribal Bison Cooperative (ITBC) understand that reintroduction of the buffalo to tribal lands will help heal the spirit of both the Indian people and the buffalo.

The Intertribal Bison cooperative was formed in 1990 to coordinate and assist tribes in returning the buffalo to Indian country.

In April of 1992 tribal representative gathered in Albuquerque, New Mexico. It was at that meeting that the Intertribal Bison Cooperative (ITBC) officially became a recognized tribal organization.

Today ITBC has a membership of 42 tribes with a collective herd of over 8,000 bison. Membership of ITBC remains open and there is continued interest by non-member tribes in the organization.

"We recognize the bison is a symbol of our strength and unity, and that as we bring our herds back to health, we will also bring our people back to health."
Fred DuBray, Cheyenne River Sioux , ITBC

Picuris Pueblo, NM Map

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Looking at Where Native People Stand in Contemporary Native America, full story

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An Online Newsletter Celebrating Native America


February 23, 2002 - Issue 55



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Looking at Where Native People Stand in Contemporary Native America



by Suzanne Westerly "Canku Ota" Correspondent


credits: photos of Duane and some members of NAFTA by Suzanne Westerly

Duane Allen Humeyestewa, photo by Suzanne WesterlyJust back from the Sundance Film Festival in Park City, Utah, where his film Running On Indian Time premiered; exuberant young filmmaker, Duane Allen Humeyestewa said, "The experience was a huge success!" Exhausted, but energized from the positive responses he received after his film was seen by a packed audience, he proclaimed, "The whole experience was overwhelming, but positive" and that he was "ready for the next movie."

With a challenging schedule of going back and forth from California to New Mexico he only finished filming last November. The film was accepted for the Sundance Film Festival at the end of November, the editing was done by December, the sound finished in January, and then he left for Sundance January 8th. Quite a whirlwind!

"His resourcefulness paid off. Despite the low budget, Humeyestewa wanted the look of a major motion picture."
By Anthony DellaFlora - Albuquerque Journal, January 13, 2002

Growing up on a High Desert Mesa
An outgoing young boy, Duane was always filled with inspiration. He loved writing stories, it came naturally to him. In grade school, he impressed his teachers with his imagination and talent.

Duane spent his young life up on a high desert mesa learning the ways of his people. His family also instilled in him the "ambition to do something for myself." Realizing he had a lot to learn if he was going to "do things right," he focused on his education. Though young, he knew he wanted to "make it" in the contemporary world outside of the village of Mishongnovi, the First Village on Second Mesa, in the Land of the Hopi people.

"When I was fairly young, I wanted to be a filmmaker. I remember reading short stories that I wrote in fifth and sixth grade." One of Duane's teachers had published a book filled with stories the children in her class had written. He came across it again when he was older. In it, there were several stories he had written while the other kids had one or two. "It made me wonder, why was I the only one writing? Then I had a mini epiphany, I was supposed to be writing; those articles were my first published works."

It was one of the only times, he said, that he felt good about "the BIA education system. We seldom had opportunities like that. The routine was always go to school for art, have recess and come home. So I give credit to a lot of those teachers who really pushed and helped shape me into what I am."

From Hopi to Hollywood
photo of Duane and some members of NAFTA by Suzanne WesterlyA few months ago, on a warm and sunny afternoon in Hollywood, a group of actors, writers and directors, met for a NAFATA (Native American Film And Television Alliance) meeting at the Autry Museum of Western Heritage. After the meeting we stood talking in the parking lot under the trees, the green rolling Hollywood Hills as a backdrop. Duane talked enthusiastically about his present project; a film he wrote, and was about to direct and produce, called Running On Indian Time. How did he get from Hopi to Hollywood?

"I was always influenced by film," he said. "I remember going from the village, Mishongnovi, down to the school or the community center building where 16 mm films from Hollywood were shown on Friday nights. I would always go down there; me and all these adults, and I'd watch every film."

Coming from a supportive family, Duane was raised "with lots of ambition to do something for myself. I knew for a fact that I would definitely adapt into the mainstream world and culture at some point, and I made it a point to go away."

"I always knew I needed training," he said. To others interested in filmmaking, his suggestion is, "go to college or an academy - you have to have training," he said earnestly. "It's a difficult thing to do, to make it as a filmmaker. You can dabble, but you'll just be a dabbler the rest of your life - you must have training."

So at thirteen, he left Hopi to attend a Prep school in Phoenix, AZ. After prep school, he attended Loyola Maramount University, then transferred to the University of New Mexico (UNM) where he "focused on the technical design aspect of theatre, film, and TV" and "essentially to study the Southwest. I did it to understand more thoroughly the culture and the depth of the history of the people," he explained, "and to embellish myself in the arts." While in New Mexico, Duane worked on a variety of projects including theatre, television and films.

He left New Mexico after graduating at the top of his class and with a knowledge "about where Native people stand in contemporary Native America - where we are as a people in relation to the people around us. Where we could go with the technology we have today."

In both 1997 and 1998 Duane was chosen to participate in the Sundance Institute filmmaker's lab in Utah. There he gained valuable insight into independent filmmaking, and was committed "to filmmaking for the rest of my life."

Setting His Sites on Future Goals
"In terms of modern day Native American movies, I am going to be a voice, I am definitely going to be there. I'm going to make it happen," Duane said with confidence and determination.

"It's my lifetime goal and career, it's who I am," he continued. "I'm going to make it a point to help and assist Native people throughout the country in getting some of this information out there, to educate people around the world. Essentially, tell the truth. There are so many art mediums for presenting your story and sharing your information with the world. Movies are just one way."

"One goal is to correct the wrongs that Hollywood has presented," Duane continued. "It's a cliche'; everybody says it - we've all talked about it; how they screwed up the portrayal of Native Americans and the world in general. We acknowledge that. We want to move on. We want to set it straight for the rest of the world."

"I wouldn't be here if it wasn't for having a strong family foundation, a strong cultural foundation and a really positive upbringing," said Duane softly.

"One of the things that I naturally found myself fascinated with was the dynamics of how Native people, specifically Hopi, interacted with the outside world and how we even survived as long as we have with as much influence as we've had."

His new film Running on Indian Time isn't about Hopi, but it is about Pueblo people. Filmed in Santa Fe, Albuquerque, Zia, and Laguna Pueblo, Duane explains his film as, "a mini celebration of tribe, family, and individuality."

Running on Indian Time is very emotional, poignant and beautiful. His film gives the audience a glimpse and feel of what it is like to be a part of today's Pueblo society, as Duane blends a mixture of contemporary social issues with traditional ideologies.

He feels people only want to see "period Native pieces when they're romanticized. Then it becomes Not Native. It becomes Hollywood. And that's what I don't want," he said with conviction.

Duane believes that to "collaborate and network is important. You have to collaborate to some degree. There is always uncertainty about how it's going to go, how it's going to pay off. Some people don't want to collaborate, but I have to decide, look the only way we're going to survive is collaborating. It's a risk, it's always a risk. I took a chance moving, took a chance going to school, we take chances everyday. Getting in your car you take a chance."

"The whole goal is getting from point A to point B, and dealing with some of the issues in-between; obstacles, roadblocks, positive moments, negative moments, they're just a part of life," he said philosophically.

With his energy, Duane will certainly make things happen, look for his films, Humeyestewa is a name you will remember, a new voice in cinema.

The Sundance Film Festival is held every January in Park City, Utah, Salt Lake City, Utah, and Sundance, Utah.

The Sundance Institute was founded by Robert Redford twenty one years ago. It was dedicated to the development of artists of independent vision and to give them the opportunity to exhibit their new work. Redford wanted to enhance the artistic vitality of the American film.

Today, Sundance Institute, supports and helps in the development of emerging screenwriters and directors of vision, and to the national and international exhibition of new, independent dramatic and documentary films.

On January 25th, it was announced that Robert Redford has been chosen to receive an Honorary Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences.

The citation will read: "Robert Redford - Actor, Director, Producer, Creator of Sundance, inspiration to independent and innovative filmmakers everywhere."

N. Bird Runningwater (Cheyenne, Mescalero Apache) currently serves as an advisor to the Sundance Institute's Native Film Program, which is based in Beverly Hills, California. Bird is a graduate of the University of Oklahoma with degrees in Journalism and Native American Studies, he received his Master of Public Affairs degree from the University of Texas at Austin's LBJ School of Public Affairs.

He is involved in a multitude of projects. One is being on the National Editorial Advisory Board for YES! A Journal of Positive Futures.

In an article written for the YES! Journal, Bird shares his thoughts about Native Americans in the film industry. Titled, “smoke signals” he writes,” After years of misrepresentation in the media, Native American filmmakers are taking control of their own stories, including in a new breakthrough film produced, directed, and written by Native Americans.”

He goes on to say, “Inaccuracies and stereotypes undermine indigenous languages and cultures because the mainstream media promotes assimilation. The inaccuracies also affect the political process that is so vital to upholding tribal sovereignty and the relations between the 557 tribal nations in the US and the federal government.”

Referring to the Sundance Festival in 1998 when the wonderful film Smoke Signals premiered, Bird writes, “Now, almost 20 years later, a movement that has not been visible to many is coming into its own. Last January at the Sundance Film Festival in Utah, the first feature film written, co-produced, and directed by Native Americans premiered. It has since been distributed and shown nationally at hundreds of theaters. That film, Smoke Signals, is the result of 20 years of hard work by the Native media world. It is also hard evidence that we are finally reaching a point where Native audiences don’t have to search the television and movie screens as hard as my cousin Cathy and I did for a small glimpse of our lives.”

Go to http://www.futurenet.org/8Education/runningwater.htm for Bird’s full article, and to http://www.sundance.org for more on the Sundance Institute.

Suzanne Westerly was based in the Los Angeles area. As of May, 2003, she can be reached at suzanne@photosofaloha.com, 808-781-5112

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Thoughts of Bison Roaming Wild and Free Over the Land


February 23, 2002
PICURIS PUEBLO, NM - "The government used the bison to take land away from Indian people, now we want to use the bison to acquire the land back for ourselves. That's our goal. We'd like to see the bison roaming again. Strong herds, not just little ranch herds, we want to see wild herds. They are good for the land."

Before the bright rays of sunshine appear over Picuris Peak in Northern New Mexico to warm the secluded valley where the Pueblo of Picuris sits, Danny Sam, the Bison Manager, has already begun his day amongst the Pueblos herd of 25 bison; make that 26.

Read Full Story HERE

More on Picuris Pueblo

Friday, February 15

"Running on Indian Time" premieres at Sundance

02-15-2002

News From Indian Country


Just back from the Sundance Film Festival in Park City, Utah, where his
film Running On Indian Time premiered; exuberant young filmmaker Duane
Allen Humeyestewa said, "The experience was a huge success!"

Exhausted, but energized from the positive responses he received after his
film was seen by a packed audience, he said, "The whole experience was
overwhelming, but positive" and that he was "ready for the next movie."

With a challenging schedule of going back and forth from California to New
Mexico, he finished filming last November. The film ...

First Peoples TV has arrived

02-15-2002

News From Indian Country

Suzanne Westerly

Something many of us have been hoping for has arrived. Finally, a
nationwide television network that will give Americans a global
perspectives on news, events and culture - WorldLink TV.

WorldLink TV premiered January 17th with a new weekly series by and about the tribal peoples of the world. The first program was "Reason to Fear; The Cultural Defense of Hooty Croy." First Peoples TV will feature twenty-six
award-winning documentaries and dramas focusing on the lives of contemporary Native and Aboriginal people and the issues they face.

First ...

Read Full Story HERE


Movie-making handbook from a Native American perspective

02-15-2002
News From Indian Country

It's 5:30 A.M. and the sun won't even be up for a couple more hours. While
many in Hollywood are just going to sleep, Natalie is already working out
with and encouraging one of her women clients.

An ACE Certified Personal Trainer, Natalie gets women motivated and in
shape to eventually run marathons, but that's just a small part of what
this amazing woman is all about.

Actress, writer, filmmaker, Natalie Noel (Choctaw) is ambitious, and filled
with an abundance of positive energy. Natalie is in the final stages of
filming her first documentary. ...


Monday, February 11

Teachers Are Offered Wonderful Opportunities to Teach in Indian Country


Last spring, the Bureau of Indian Affairs (BIA) Office of Indian Education Programs (OIEP) moved from Washington, D.C. to Albuquerque, New Mexico. The new southwest location enticed two very special people to it. Barbara Parisian (Blackfeet) and Darrell Flyingman (Choctaw), are both dedicated to educating American Indian youth, and were ready to take on their new challenge; filling vacancies in the BIA school system. But how?

the rest of the story

Saturday, February 9

First Peoples TV Has Arrived [Full Story]

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An Online Newsletter Celebrating Native America


February 9, 2002 - Issue 54



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First Peoples TV Has Arrived



by Suzanne Westerly Canku Ota Correspondent


Photo of Elaine Miles and Drew LaCapa on the set of Rez Robics by Suzanne Westerly

Something many of us have been hoping for has arrived. Finally, a nationwide television network that will give Americans a global perspectives on news, events and culture – “WorldLink TV.”

“WorldLink TV” premiered January 17th with a new weekly series by and about the tribal peoples of the world. The first program was Reason to Fear; The Cultural Defense of Hooty Croy. "First Peoples TV" will feature twenty-six award-winning documentaries and dramas focusing on the lives of contemporary Native and Aboriginal people and the issues they face.

"First Peoples TV" will be the first time a regularly scheduled TV series concerning tribal peoples will be accessible to all urban areas, including the territories of every Indigenous nation in the United States.

DreamCatchers, a non-profit organization working to bring Native films to a wider audience, is bringing this together to air eachThursday night at 7pm PST or 10pm EST. So far the line-up includes documentaries confronting fishing rights; Lighting The Seventh Fire by Sandra Sunrising Osawa, sacred sites; Backbone Of The World by George Burdeau, and religious freedom; The Peyote Road by Fidel Moreno. The series will also feature dramatic films dealing with government attempts to destroy tribal cultures; Where The Spirit Lives by Bruce Pittman and Indigenous political activism; Tushka by Ian Skorodin.

We will get to see Native actors, comedians and educators introducing each episode. Hosts will include Benjamin Bratt (Law & Order, Blood In-Blood Out, Pinero), Tantoo Cardinal (Legends Of The Fall, Black Robe, Dances With Wolves), Steve Reevis (Geronimo, Last Of The Dogmen, Fargo), Elaine Miles (Northern Exposure, Smoke Signals, RezRobics) and up and coming Apache funny man, Drew Lacapa. The one non-Native host will be legendary historian of world religions, Huston Smith.

Where To Find It
WorldLink's programming includes first run documentaries, foreign feature films, global news reports and eight hours of world music each day.

You can get WorldLink TV through direct-to-home satellite services; DIRECTVÆ (Channel 375) and EchoStar's DISH NetworkÆ (Channel 9410).

DreamCatchers has previously produced health and fitness videos for American Indian communities including, The Red Road To Sobriety, documenting the contemporary Native American sobriety movement, and Rez Robics, a pow-wow dancing and martial arts inspired aerobics video designed to combat diabetes. Series producer Gary Rhine has previously produced award-winning documentaries including Wiping The Tears Of Seven Generations and Your Humble Serpent; The Wisdom Of Reuben Snake.

You can find program descriptions at http://www.dreamcatchers.org/fptv
and program schedules at http://www.worldlinktv.org








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Following the Footsteps of His Grandfather, full story

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An Online Newsletter Celebrating Native America

February 9, 2002 - Issue 54

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Following the Footsteps of His Grandfather

by Suzanne Westerly Canku Ota Correspondent
Photos of Roscoe and Eagle Young by Suzanne Westerly
"I got my big break as a dancer, and I worked my way into acting because it was my big dream, to act. I really love it here in Hollywood, it was something I always wanted," said Roscoe Pond smiling. Sitting outside on a breezy balcony in a restaurant at the Beverly Connection, a shopping center on the edge of Beverly Hills, Roscoe talked about his journey to Hollywood. Roscoe's life revolves around auditioning for (and getting some) acting roles, dancing and writing, while also working in an exciting new Southern California Indian Center (SCIC) Employment and Training (E&T) Program in audio/visual production. "It's been a long road, but it's been a really good learning experience," he said in his soft deep voice as he sipped some water.

At the early age of ten, Roscoe found happiness singing and acting while his brothers and sister found happiness playing sports. A member of the Confederated Tribes of Umatilla, Walla Walla and Cayuse People, Roscoe Patrick Pond, was a young boy with a dream and a lot of determination. Knowing how his son felt, one-day Roscoe's dad said to him, "if you want to perform, and if you want to see what it ís like out there, you should go [to the Chemawa Indian School]." I said, "okay I will. Actually, it was my grandfather's idea, and that's how my life began," said Roscoe.

Roscoe's grandfather wanted his son to go to the same boarding school that he went to, the Chemawa Indian School in Salem, Oregon, but unlike his father, Roscoe's dad didn't want to leave the Reservation. Roscoe, though, was more like his jazz musician grandfather whose dreams were interrupted by WWII. Like his grandfather, Roscoe knew that leaving the reservation was the first step toward realizing his goals. Adventure and music beckoned him as it had his grandfather.

After graduating from Portland State University, Roscoe headed for New Mexico, where he joined the DayStar Dance Company run by Rosalie M. Jones. "I was with Daystar from 1990 - 1997. "Then I graduated from dancer to actor, then lead actor."

On the road performing with Daystar, a chance meeting changed his life. The Last of the Mohicans (starring Wes Studi) was being filmed in South Carolina. That was Roscoe’s his first audition for a Hollywood film. Although he didn't get a role, it was his start in "the business."

Roscoe arrives in Hollywood
Roscoe didn't know anyone when he first got to Hollywood, so like many struggling actors, he found a job in the fast-food industry. He later discovered there was a lot of help for Native Americans in LA. (See sidebar)

In 1998 Roscoe found an agent. After being with her for a year "she asked me to get all my hair cut off, It was down to my lower back." She felt his long hair only allowed him to be in Native American roles.

What about tradition? "Our people didn't have long hair. Except for my great great granduncle, who was a chief of the Umatilla's in the 1930's.” Roscoe didn't want to cut his hair, but he did. "So if I go on a Native American audition I can put the wig on and 'look' Native American. I just had to compromise, and that's what you have to do sometimes."

Southern California Indian Center Employment and Training Program (see sidebar)
Over a year in the fast-food industry was enough for Roscoe. A job search eventually led him to a great opportunity in his field at the Indian Center in LA (SCICLA). They offered him an internship in a new program they were trying to get off the ground.

SCIC and Eyapaha Institute (see sidebar) had formed a partnership to build a program that would teach all aspects of the film industry to Native Americans. Chuck Banner, Director of Entertainment & Multi-Media of the Eyapaha Institute and the Senior VP of Production & Development at Red Crow Creations is the curriculum's project director. The program includes learning "everything that goes with filming, producing and editing movies, ... including computer training. ... I never knew anything about computers until a year ago, and now I am just flourishing," Roscoe remarked with a grin.

Roscoe and Eagle Young (from Taos Pueblo, NM), also an actor, are the first two trainees in this new program. "We got to film all the Indian activities at SCIC, including the PowWow, projects like the FAITA (First Americans in the Arts) Awards web cast, and Floyd's (Red Crow Westerman) gala for "The Hoop of Life." Besides taping, Roscoe and Eagle also do the editing. "Paula Starr, the Executive Director of SCIC has been really supportive of us, and I am very thankful to her for that," said Roscoe enthusiastically.

What worked for Roscoe?
"I am proud to say that I've never done drugs, never smoked anything and stopped drinking alcohol over 10 years ago, because I thought - my career, my dreams, what about my dreams? And it was a really good decision for me, that's when I decided I had to leave the reservation."

Roscoe loves to learn. "An education at a major university was just incredible and it really did push me into what I wanted to do, you just can't ever let go of learning."

Also of importance to Roscoe is health. "It all comes down to what you're eating and drinking. I'm finding out that drinking water, about five glasses a day is important. Pop has so much sugar; it's so bad, like alcohol. Water is good," he said as he finished his glass of water and eagerly headed off for an audition.

Southern California Indian Center Employment and Training Program And the Eyapaha Institute
Places to Start In Finding Help When You Come to LA

Eyapaha Institute is a 501 c (3) non-profit corporation based in Los Angeles under the leadership and guidance of Floyd Red Crow Westerman who is the Founder and Executive Director.

The Institute produces and distributes audio visual and multi-media entertainment products deeply-rooted in American Indian culture and tradition. They place a strong emphasis on historical documentation, oral tradition and language recovery, education and grass roots community development, health and wellness.

The Institute saw a need to create a job training program and employment opportunities for American Indians in the entertainment and multimedia industry, so on March 24, the Eyapaha Institute, Red Crow Creations, The Southern California Indian Center, Inc. (SCIC) and Southern California Indian Centers Los Angeles, Inc. (SCICLA) entered into a Memorandum of Understanding to address job training and economic development in the Southern California area. The Center for Community Change funded Syd Bean as a consultant for Eyapaha and SCIC, to give infrastructure to the work and Chuck Banner, the Director of Entertainment & Multimedia at Eyapaha Institute and Senior VP Production & Development of Red Crow Creations, is the curriculum director of the new program.


Eyapaha Institute
http://www.eyapaha.org/oyatewechaho.html#job training

Roscoe didn't know about the help available for Native people, so he wants to let others know.

Southern California Indian Center Inc. Headquarters
10175 Slater Ave
Fountain Valley, California 92708
(714) 962-6673 (Orange County Hdqrts)
(714) 962-6343 FAX
Email : scicgg@earthlink.net
Los Angeles Office, (213) 387-5772
http://www.indiancenter.org

Los Angeles American Indian Health Project
(213) 353-9429
1614 West Temple St.
Los Angeles, CA 90026
www.geocities.com/CapitolHill/Lobby/4828/aihealth.htm

The Senior Project is located at SCIC-Commerce:
6055 E. Washington Blvd #700
City of Commerce, CA 90040
(213) 728-8844.
http://www.indiancenter.org/senior.htm

Suzanne Westerly
Photojournalist
POB 564
Malibu, CA 90265
mobile, 310-924-5522

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Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. section 107.

Canku Ota is a copyright © 2000, 2001, 2002 of Vicki Lockard and Paul Barry.

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The "Canku Ota - A Newsletter Celebrating Native America" web site and its design is the

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Friday, November 30

John Trudell and Bad Dog Rock the Sunset Strip

11-30-2001
by SuzanneWesterly-
Los Angeles California



The insightful poetry and distinct style of John Trudell (Santee Sioux) filled the Roxy as John and his band, Bad Dog played cuts from their recently released CD, Bone Days to an anticipating audience filled with fans and friends. The record release party was held this past November at the famous Hollywood nightclub, the Roxy, which is located in the heart of the Sunset Strip.

Bone Days, released on John's own Asitis Productions label, was executive produced by Angelina Jolie, the Academy Award winning actress who was recently appointed Goodwill Ambassador to the United Nations High Commissioner for Refugees. Smiling, Angelina walked on stage with her husband, actor/writer/director Billy Bob Thorton, and introduced John.

With tinted glasses wearing his customary black, John solemnly walked on to the stage and proceeded to give the audience exactly what they had come for. John's powerful spoken words, set to the musical backdrop of Quiltman's (Warm Springs Apache, Hopi) traditional tribal chants and the rockin' blues of Bad Dog, filled the air and the spirits of those who came to hear and feel what John had to say. Crazy Horse, Carry The Stone, and Hanging From the Cross are a few of the profoundly moving cuts off of Bone Days.

John TrudellLongtime activist for American Indian rights and freedoms, John speaks his truth with deeply penetrating words that he weaves together in a way that hit you right where they are meant to; he gets you to think.

Some of the celebrities spotted at the party were Floyd Red Crow Westerman, Jackson Browne, Kris Kristofferson, Vernon Bellacourt, Mimi Kennedy (Mom from TV's Dharma & Greg), Rod Rondeaux, and other Native American actors.

Band members are; lead guitarist Mark Shark, on keyboards and percussion, Ricky Eckstein, Native vocalist Quiltman and guitarist Billy Watts. Bassist Bobby Tsukamoto and vocalist Carol Eckstein joined them on stage.

Go to John's website to purchase Bone Days, as well as his previously released albums. www.johntrudell.com.

For more photos of John Trudell at the Roxy, click here: John Trudell

Sunday, November 11

Sandia Mountains Are The Backdrop For This Years Native American Music Awards

November, 2001
Sandia Pueblo, NM - The Fourth Annual Native American Music Awards were held outdoors this year with the magnificent Sandia Mountains as the backdrop. Sandia Pueblo is located at the western foot of the Sandia Mountains just south of Albuquerque. Governor Stuart Paisano welcomed the crowd to the Pueblos beautiful new casino and 3,000-seat amphitheater. After the opening blessing by Butch Artichoker (Oglala Sioux), a beautiful piece using Universal American Indian Sign language to the prayer, the Great Mystery, was performed by Bonnie Jo Hunt, an operatic concert artist. Radmilla Cody (Dine) with her grandmother standing beside her . . .

rest of the story

Photos

Saturday, November 3

Sandia Mountains Are The Backdrop For This Years Native American Music Awards, full story

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(Many Paths)

An Online Newsletter Celebrating Native America

November 3, 2001 - Issue 48

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Sandia Mountains Are The Backdrop For This Years Native American Music Awards

Article and photographs by Suzanne Westerly

Note: For more photos of this year Native American Music Awards click here: Photos

Sandia Pueblo, NM - The Fourth Annual Native American Music Awards were held outdoors this year with the magnificent Sandia Mountains as the backdrop.

Sandia Pueblo is located at the western foot of the Sandia Mountains just south of Albuquerque. Governor Stuart Paisano welcomed the crowd to the Pueblos beautiful new casino and 3,000-seat amphitheater.

After the opening blessing by Butch Artichoker (Oglala Sioux), a beautiful piece using Universal American Indian Sign language to the prayer, the Great Mystery, was performed by Bonnie Jo Hunt, an operatic concert artist.

Radmilla Cody (Dine) with her grandmother standing beside her sang the National Anthem. Her beautiful and powerful voice made the song unforgettably moving, sung in a language of the First Peoples of this country.

Andrew Vasquez (Kiowa-Apache) Best Male Artist, 2000, Joanne Shenandoah (Oneida) her song Peacemaker's Journey received the award for Best Producer, and Walela, Group of the Year Award sang a beautiful rendition of Amazing Grace. (Walela is made up of Rita Coolidge who received the Lifetime Achievement Award, her sister Priscilla Coolidge, and Priscilla's daughter Laura Satterfield, all Cherokee,

Charming and gregarious, actor Rodney Grant (Omaha Tribe) was the Master of Ceremonies.

Before each winner was announced, video clips of all the nominees were shown on large screens located on both sides of the stage. The first part of the list of winners were announced, but asked to stay seated as the audience applauded them. Most likely, this occurred to keep the program within a reasonable time period. A few of the winners were; Indigenous (Nakota Nation) for Best Blues, R. Carlos Nakai, (Dine) for Flutist of the Year, Star Nayea for Best Independent Recording, Annie Humphrey (Ojibwe) for Best Folk Recording, Arigon Starr (Kickapoo) for Song Single of the Year, and Robert Mirabal (Taos Pueblo) was the big winner with awards for Songwriter of the Year, Artist of the Year, and Record of the Year. Robert's mom accepted his awards.

50 years ago, a producer with Canyon Records first heard the music of Native artist, Natay (Dine & Ute). He enjoyed Natay so much, he vowed to record more Native American artists, today Canyon Records continues to record many Native artists. Natay, who has over 40 albums, Gold Records, Grammy Award nominations and many Native American Music Awards, received the Lifetime Achievement award.

R. Carlos Nakai (Dine) and his new group the Wilde Boys, which includes Will Clipman, William Eaton and Tibetan flutist Nawang Khechog, performed a wonderful piece called Dwelling In the Garden.

The group Brule from the Lower Brule Sioux Tribe of South Dakota, with father and daughter team Paul and Nicole LaRoche is one of the top contemporary Native American recording acts having sold over 1 million records worldwide. Their music is very moving. On the flute, Nicole gave a stellar performance from her heart.

Amazing 8-year old flutist, Evren Ozan, received NAMA's Rising Star Award. The audience was quite impressed with his beautiful flute music.

Receiving the Jim Thorpe Sports Award this year was Billy Mills, (Lakota Sioux from the Pine Ridge Reservation) the great Olympic runner who at 26 amazed the world in 1964 as he burst forth near the end of the 10,000-meter race like a flash to receive a Gold Medal.

Keith Secola with the Wild Band of Indians, last years winner for Best Independent Recording, and this years winner for Best Instrumental Recording was joined on stage by John Densmore, the former Doors drummer for an excellent rockin' blues performance.

The group Yarina, which means "remembrance" in their native Quichua language of the Incas, is made up of four brothers. Two of their sisters joined them, dancing to their upbeat music. Their music is a wonderfully diverse combination of jazz, blues, Latin and Western Classical.

Winner of Best World Music Recording, Casper (Hopi) and the 602 Band had people moving in their seats as the group performed their warm positive Reggae music influenced by Caspers traditional Hopi culture.

Crystal Gayle, (part Cherokee) country singer with three dozen hit records and many awards, was inducted into the NAMA Hall of Fame. The audience wanted another song, but there wasn't time and it was getting really cold.

As is typical in the high desert this time of the year, Albuquerque at 5,000', has beautiful and very warm days, but as the sun goes down, so does the temperature. Sitting and watching the Awards, it got very cold. Some people had been wise enough to bring their winter coats and blankets, but most of those in the audience were quite cold but didn't want to miss a minute of the Awards.

Janice-Marie, who was joined on stage by Robert Tree Cody, winner of Male Artist of the Year award, was the last performance. Janice-Marie's incredibly hot performance had the crowd dancing and forgetting they were cold. She was fabulous, a dichotomy as she walked out on stage in an elegant black silver dress and then "got down" playing the bass with passion as she belted out Boogie, Oogie Oogie, her Grammy award winning multi-platinum smash.

Later, Janice-Marie said the only way she was able to play the guitar was to "warm my fingers by putting them in a hot cup of coffee."

After the Award show, people were happy to go indoors to the VIP party held in a large room in the casino. Unable to shoot during the show, this is where I was finally able to take photos and interview quite a few of the artists, which you will read about in future editions.

For a comprehensive list of winners, look at the
www.nammys.com web site. For more photos of the show, click Photos.

The entire program was broadcast live on radio stations throughout the country and Koahnic Broadcast Corporation ran it live on the Internet. Parts of the program will be used in an international television special called, Concert For America.

Sponsors for the evening were, the Pueblo of Sandia, the Navajo Arts & Humanities Council, the Muckleshoot Tribe, Subway, the Oneida Indian Nation, the Cow Creek Upqua Tribe, HBO, Bessoms Gardens and the Institute of American Indian Arts, who helped create the set.

Suzanne Westerly
Photographer / Writer
Malibu, California 90265

suzannewesterly@earthlink.net

808-781-5112

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Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. section 107.

Canku Ota is a copyright © 2000, 2001 of Vicki Lockard and Paul Barry.

Canku Ota logo

Canku Ota logo

The "Canku Ota - A Newsletter Celebrating Native America" web site and its design is the

Copyright © 1999, 2000, 2001 of Paul C. Barry.

All Rights Reserved.

Monday, October 15

Chumash Storytelling Under the Stars

10-15-2001
Westerly, Suzanne
News From Indian Country

Chumash storytelling under the stars

As the set below the rolling hills near the Malibu coastline, Julie
Tumamait, respected Chumash storyteller and singer, stood near the glowing
fire as a crowd from the Leo Carrillo State Park Campfire Center gathered
around, waiting in anticipation. Julie's well-known grandfather, Vincent
Tumamait, a Chumash spiritual leader for many decades, was also a
storyteller.

Julie began, "I come from people who used to live right where we are
tonight."

"My father put this song together. It's a welcome song, to welcome ...

Saturday, September 15

Zuni Pueblo Will Not Compromise on Protecting Vital Salt Lake

09-15-2001
News From Indian Country

Zuni will not sacrifice Salt Lake
By Suzanne Westerly
  As they have for many centuries, the people from the Pueblo Nations of
Zuni, Hopi, Acoma, and Laguna, and the people from the Mescalero Apache
Nation and the Ramah Navajo Nation, still walk the ancient foot trails to
gather salt at Zuni Salt Lake for religious purposes. The Salt Lake and
the surrounding area is of central religious importance in the lives of
the Zuni and other tribal people of the area. According to the Zunis, the
salt is the flesh of Salt Mother, a deity who resides at Zuni Salt Lake.
"It is one of our most significant sacred sites, the Zuni Salt Lake, "
explained Governor Bowekaty.
The Salt Lake is fed mostly from underground. Mineral springs bubble up
from a large volcanic cinder cone in the center of the shallow lake. As
the lake rises and falls throughout the year, evaporation occurs and a
crystallized crust of sodium chloride covers the lakebed. In summer
sometimes the salt layer forms so thickly, crystal salt cones rise on the
lakebed. At that time, Zuni men travel 60 miles south from their Pueblo
to gather the salt.
Zuni Pueblo is located in what is now western New Mexico, near the
Arizona border and just south of Interstate 40. Originally, this rugged
undisturbed open desert land was traditional Zuni lands. Over the years,
large areas were taken by federal, state and private landholders. In1985
Zuni Pueblo gained ownership of the lake and 600 acres of land under
federal law through a land exchange with the state of NM and the U.S.
Bureau of Land Management.

SRP Wants a Coal Mine
The Salt River Project (SRP) Agricultural Improvement and Power District,
based in Tempe, is the second largest utility in Arizona. Since the mid-
1980's, SRP has been trying to secure their very own coal mine to fuel
their Coronado Generating Station in St. John's, Arizona.
The proposed site for SRPs very controversial mining project is about
ten miles from the Zuni Salt Lake. SRP plans to pump water out of the
aquifer below the lake mainly for dust suppression. Many hydrologists
agree this will effect the lake, possibly causing irrevocable damage to
the unique ecosystem.
Mining 80 million tons of coal over the next 50 years is the goal of SRP.
The utility company also plans to build a 44-mile railroad corridor to
carry the coal across the NM state border to the Coronado Generating
Station in eastern Arizona.

The Neutral Zone
Since the State of NM first approved SRPs permit in 1996, federal
officials have determined that the 182,000-acre area around the Salt Lake,
called the Neutral Zone, is eligible for listing under the National
Historic Preservation Act. The area is called the Neutral Zone because
traditionally Zunis and other Indian tribes suspended hostilities against
each other while in this area because of the importance to all of them of
gathering salt at the lake.
This mine if approved by the federal government, will cause much
destruction to almost 18,000 acres of land that holds over 550 documented
ancient Zuni sites and is within the Neutral Zone. The Pueblo is concerned
that potentially thousands of ancestral burials will be disturbed. The
Zunis position is that burial sites should never be disturbed.
The railroad would also destroy parts of the ancient trails. Zuni Pueblo
Governor Malcolm Bowekaty said, "The EIS report states they [SRP] would
run the railroad tracks right over burial sites. Yes, they are also going
to dig burial sites up. I have a map that our own archeological people
made after they surveyed that area. We have a map that shows where the
proposed open coal pit mine will be and the disturbed area." When he
overlays the crews walk through findings of the surface visible sites in
the area over the map showing the areas that will be disturbed, "the
railroad corridor is actually going through some of them. So given that
and knowing the terrain around here, surface visible means that there are
ruins underneath and more than likely there will be bodies and so that is
one of the things we are trying to emphasize."
Letting outsiders know where certain sites are located within their
lands is a difficult decision for tribal Nations to make. According to
Bowekaty the Zuni decided to disclose the Zuni Salt Lake locations to
enable the tribe to have the area made eligible for the National Historic
Preservation Act. "We have worked with the Keeper saying this area is open
for public knowledge although the very esoteric stuff should not be open
for public review, and they have honored that. We have looked at the
Native American Graves Repatriation Act (NAGPRA) as a way to stop the mine,
but NAGPRA looks more at discovery and research instead of protection,"
said Bowekaty.

The Permit Process
According to Bowekaty, when New Mexico (NM) Mining & Minerals Division
gave SRP a five-year permit in 1996 it lacked a lot of conditions; in
particular, Zuni's concerns. "For instance on the original submission the
cumulative hydrological impact area assessment did not include the Zuni
Salt Lake," said the Governor. For many years, Zunis have managed to stop
any actions from beginning at the proposed site. They are determined to
continue their strong opposition.
At the recent hearing in July, despite all the evidence of the majority
of hydrology reports showing the lake's water level will be impacted, and
evidence that the mining operation is not in compliance with government
regulations, NM Mining & Minerals Division renewed SRP's permit.
"The fact that it was renewed was a loss for the tribe," said the
Governor. Zuni representatives continue to point out basic questions about
the adequacy and the accuracy of the Environmental Impact Statement (EIS)
as well as the Final EIS. Hydrological findings, the lack of consideration
of Zunis traditional cultural properties and the archeological issues are
issues that must be examined further. "So a re-review of the NM Mining &
Minerals Division is warranted," said the Governor.

SRP Claims Water To Keep the Dust Down
Zunis believe that by taking water from the Dakota Aquifer below the
proposed coal mine area, the level of the water in the Salt Lake will be
affected.
In 1991, SRP declared water rights to several aquifers near the mine. NM
Mining & Minerals approved a permit allowing SRP to pump an average of 85
gallons of water per minute for 40 years from the aquifers. In 1996 NM
State Engineer's Office declared the Gallup Basin, where the proposed mine
site is, closed, requiring everyone who had been using water before that
date to notify the state of how much they were using. SRP filed a notice
claiming they had the right to use up to 990 gallons of water per minute
from old livestock wells. According to the NM State Engineer's Office, if
they want to start using the old livestock wells for mining, they must
file a permit application, and they haven't.
Governor Bowekaty said, "Because of the tribes studies, the expert
hydrologist, and the tribes insistence through the Department of Interior
(DOI), Bureau of Indian Affairs (BIA) at the Washington, D.C. office, we
got the Bureau to do an independent study on the hydrology issue. The DOI
contracted with a couple of Professors from the University of New Mexico
(UNM), to do an independent review on behalf of the BIA. They raised a lot
of questions that added to Zuni's argument."

Hydrology Reports Support Zunis Assertions
SRP assures the Pueblo that monitoring wells between the mine and the
lake will warn of an impending drawdown and allow it to switch to another
source of water. Yet SRP representatives go on to say, they have reserved
the right to take all of the mining water from one aquifer, if necessary.
Dr. Phil King, an engineering professor at UNM, commissioned by the BIA to
do an independent hydrological report stated that the monitoring wells are
in the wrong locations.
Under NM Governor Gary Johnson's Tribal Consultation Policy, Zuni
directly requested a government to government consultation with the Mining
and Minerals Division, thus allowing Zuni to emphasize their role in the
decision making process.
The federal lands mining permit SRP needs has been pending for over a
year. Zuni Pueblo has requested a meeting with DOI Secretary Norton, but
so far, the Pueblo has been ignored. "We have had the D.C. office of the
BIA actively supporting us," said the Governor, "In fact at the last
government to government consultation the BIA, through a spokesperson
cleared through the DC office specifically stated that they stand behind
their independent hydrology report that actually supports Zuni's
assertions. They also stipulated that 'we support Zuni's strategy and
activities.' So they are finally saying in an indirect way that they
oppose the mine because that's Zuni tribes primary position."

Promoted by SRP as Jobs and Profit$ for NM
NM Mining & Minerals approved SRP's second permit although there is
sufficient evidence to show the harm it will likely do to the lake. It is
also noteworthy that the coal at this site is a very low-grade coal. Low-
grade means digging up more earth to meet the goal of the quantity of coal
needed.
Promoted by SRP as jobs for local people, Bob Barnard, manager of the
Fence Lake Project for SRP has said the mine will employ between 60 -100
people with the "right" skills. Barnard has also been quoted saying there
would be hundreds of jobs.
New Mexico has already received $10 million, from SRP and will receive
about $60 million to $70 million in royalty payments from coal sales if
the mine opens. New Mexico will benefit from another $60 million in
various forms of taxes.
"If you are looking at royalties, the Navajo Nation and the Hopi Nation
should be as equally compensated as the state of NM on royalties," said
the Governor. The Hopi and Navajo Nations have had Peabody Coal Company
mining coal on their lands since the 1960's, and using considerable
amounts of pristine water from the N-Aquifer.
Already fighting this project for almost 20 years, Zuni Pueblo vows to
continue fighting for their culturally significant Salt Lake. First, the
Zunis are planning a lawsuit in state court in Santa Fe to challenge the
NM Mine Commission's approval of the mine. "If things don't go our way,"
said Governor Bowekaty, "of course we are going to consolidate the appeal
of the new permit into federal court."

Native American Times is Copyright c. 2000-2001 Oklahoma Indian Times,Inc.
Native News

Saturday, August 11

Zuni Pueblo Will Not Compromise on Protecting Vital Salt Lake

August, 2001

As they have for many centuries, the people from the Pueblo Nations of
Zuni, Hopi, Acoma, and Laguna, and the people from the Mescalero Apache
Nation and the Ramah Navajo Nation, still walk the ancient foot trails to
gather salt at Zuni Salt Lake for religious purposes. The Salt Lake and
the surrounding area is of central religious importance in the lives of
the Zuni and other tribal people of the area. According to the Zunis, the
salt is the flesh of Salt Mother, a deity who resides at Zuni Salt Lake.
"It is one of our most significant sacred sites, the Zuni Salt Lake, "
explained Governor Bowekaty.
The Salt Lake is fed mostly from underground.


full story

Riding in on the Waves at Midnight

August, 2001

San Diego, California

The annual Grunion Festival was held on a typical warm sunny day in July at Pacific Beach. Organizers and performers from the Juaneno Band of Mission Indians Acjachemem Nation and the Kumeyaay Nation organized a wonderful afternoon. People from near and far, gathered for the annual Grunion Festival, which is a revival of a tradition of the Southern California Indians. "Today is the event that brings the ocean, the desert and the mountain people together," said Joyce Perry, "a social event for the indigenous people and an educational event for the non-indigenous people. This is Abel's vision. He has been doing this for a long time.
Rest of the story

Tuesday, July 31

21st Arizona Indian Town Hall

07-31-2001
Westerly, Suzanne
News From Indian Country

21st Arizona Indian Town Hall

The Arizona Commission of Indian Affairs (ACIA) held their 21st Arizona
Indian Town Hall May 21-23 at the Prescott Resort, located on the highest
hill in a valley surrounded by mountains. Prescott, a short drive north of
the Commission's office in toasty Phoenix was cool, green and interesting.

The town, a combination of Victorian and "historic Old West" nestled in a
Ponderosa pine mountain setting, is just southwest of the Yavapai-Prescott
Nation. The Yavapai-Ft. McDowell Nation is near Phoenix.

The idea of the Town ...

Saturday, July 28

Skydancer.tv Reaches for the Stars [Full Story]

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Canku Ota

Canku Ota logo

(Many Paths)

An Online Newsletter Celebrating Native America


July 28, 2001 - Issue 41



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Skydancer.tv Reaches for the Stars



by Suzanne Westerly, Photographer / Writer



The photo of Dan was taken in front of the restaurant in Santa Monica after our interview
The two dancers are from the recent Gathering of Nations Pow Wow in Albuquerque - April
The photo of Sonny, on right talking with Paul LaRoche (Brulé) on left, andTom Bee (SOAR) in middle, was taken at the FAITA's in 2000.


Santa Monica, California

Skydancer.tv will 'tell-a-vision' and broaden programming possibilities entering your home.

Over a plate of nachos in a Santa Monica restaurant, Dan talked enthusiastically about Skydancer.tv, "We will be making programming content for various networks, and cable company's, could be anywhere on the globe, actually."

On June 17th a partnership between the Oneida Nation in New York, and longtime American Indian Los Angeles-based producers Dan C. Jones (Ponca Tribe of Indians of Oklahoma) and Sonny Skyhawk (Sicangu Lakota Tribe of South Dakota) to create a television production company was announced. The project is believed to be the first television production company owned, operated and funded entirely by Native Americans.

Dan and Sonny now in the middle of their first Skydancer.tv project, the World Championships of American Indian Dance, will attend to all the fine points as Dances continue to grow over the next few years. They have been working on the details with NBC Enterprises and Syndication for over a year. "We've been negotiating with NBC, and they have made a tentative agreement to assist us in developing the marketing plans. . and to try to find a way to bring this beautiful culture to ... television so that we can actually have heroes on TV for our children, role models, so to speak. That's really why we're doing this," said Dan.

As a Southern Straight Dancer himself, Dan knows the American Indian dance world very well. "The dance itself is a powerful part of American Indian culture," he explained. "Dance is really the heartbeat of American Indian culture." The dances have always had a strong influence on the way American Indians have historically dealt with their relationship with the US government, which has been a rocky one," he said. "The dance at times has been feared by the [U.S.] government to the point of them outlawing the dance around the turn of the last century. A lot of the older dances now that we see; Crow Fair or Rosebud South Dakota or Ponca, OK, my dance, are celebrating their 125th, 135th 130th years." Those numbers actually signify the number of years since the dances were again "allowed" by the U.S. government. "These dances are of course ceremonials that have gone on since we've been here, forever, you know. Certain dances have been so powerful that they have caused massacres. The massacre at Wounded Knee was based on a group of people going to a dance and the dance was the Ghost Dance," said Dan.

"American Indian dance is the heartbeat of Native American culture throughout America, and it's really where a lot of our superstars have come from," he said. "The people that have excelled in the dance arena, are the people we have always looked up to. They've been our heroes."

Skydancer.tv's Premier
Skydancer.tv's first one-hour show will introduce America and the world to American Indian Pow Wow dances and culture. "We want to film in the Northeast, the Southeast, the Southwest and the Northwest as well as a couple of locations in the middle." Dan hopes that after the six locations are identified, there will be a convenient location for "a young dancer who has the dream of becoming a world champion at what he does," and who can "give it a shot at being called the worlds best Native American Dancer."

Dan talked about the importance of the drum, and the words being sung during the different dances. In the beginning, "we are basically focusing on what's called an intertribal gathering, these are mutual songs that are shared by large groups. I think one of the historical significant situations that has always happened with the dance, is when the dance becomes popular, it spreads throughout the Indian Nations like a wildfire." Pow Wow dancing is traditionally from the Plains Indian Nations.

Dan explained that there were two style of drums, the Northern and the Southern Drum, both incorporate many tribes from their respective regions."

Dan and Sonny decided the best people to judge the dancers were "people who have retired from the arena. When [the dancers] have won in one arena for three years, they are generally given the trophy and they retire as undisputed champions."

Regarding Nations that do not do Pow Wow dancing like the Pueblos of New Mexico, Dan said, "I think if we are welcome there, that we would definitely highlight certain social dances that they wouldn't mind sharing with the rest of the world."

Skydancer.tv will begin with four categories of dance. The audience will get a chance to see and understand the Women's Fancy Shawl Dance, the Men's Fancy Dance, the Women's Traditional, and the Men's Traditional. The work done on the Traditional Dance outfits is incredibly beautiful and elaborate. (close-up photos of bead work) "They are high energy and they are also very stately, we want to introduce these dances slowly," said Dan.

There are many other dances, many age groups, and each will be highlighted in different programs.

The perseverance and determination of the little ones impress many onlookers. "We all start from toddlers, it's a very serious business," Dan said softly.

The Hollywood Scene
Dan and Sonny have both been part of the "Hollywood scene" for many years.

Sonny has been in Hollywood for the last 30 years working as an actor, a producer, and chairman and founder of American Indians in Film. The organization is dedicated to improving the portrayal of Native Americans in films and TV.

Sonny was quoted in a recent press release saying, "Not since James Young Deer, a Winnebago in the silent era, have we as American Indians been poised to take control of our image. We intend to truly define the dynamic experience and life of our people in the most powerful mediums of film and television."

Dan, or Sasuweh, his Indian name, began his career as "an artist working on single frames of a picture when it dawned on me the meaning of moving pictures, so I got into film about 20 years ago."

Most of Dan's films have been documentaries. Dan has studied Indian storytelling all his life, but over the last five years, he has been studying Western narrative structure. "Basically, what is drama? I discovered that the Western mind has a certain way they are used to hearing stories - a beginning, middle, and an end. I became very intrigued at the difference in the Western mind compared to what I knew from my world. I am now studying the Western narrative structure in-depth. The writings of Aristotle, the poetics and just how you create drama and what drama actually is." Dan is also a member of the Native American Media Task Force in Los Angeles, California.

An important part of Skydancer.tv will be a large web presence. This will enable people throughout the world to access their productions. The first broadcast is targeted for the late 2002, early 2003.

New Horizon's for the Oneida Nation
If you are on the Internet, you may be aware of the Oneida Nation's other venture into the entertainment industry with NBC. Called the Four Directions Talent Search, it involves a nation-wide search for Native American actors, comedians and writers.

Skydancer.tv is one of the latest progressive endeavors of the Oneida Nation. Representative and CEO Ray Halbritter was quoted in a recent press release saying, "With a major talent search underway, the next logical step is to establish a presence in Hollywood. Skydancer.tv, Sonny, and Dan fit right into the Nation's goals of creating opportunities for Native talent in the entertainment industry. Their experience will be invaluable to our expanding efforts to bring more Native voices to film, television, theater and new media." Halbritter also expressed his pleasure with NBC in its dedication for helping bring the voice of Native people to television and other entertainment venues.

For Skydancer.tv, this is only beginning. Expanding into commercials, music videos, and event production are all being discussed by the Nation.

"As Native people of the United States, our mythologies, our stories are America's stories. They speak of and belong to this land. We all are tied to this land and discovering its rich stories will unite us as a country. People are going to get a lot out of what we are doing and it's great to have a partner in the Oneida Nation that understand this," said Dan.

Go to the Oneida Nation's Internet site www.oneidanews.net for more information.

Suzanne Westerly
Photographer / Writer
Malibu, California 90265
since 5-03,

suzanne@photosofaloha.com

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Wednesday, July 25

Riding in on the Waves at Midnight, full article

Canku Ota logo

Canku Ota

Canku Ota logo

(Many Paths)

An Online Newsletter Celebrating Native America


August 25, 2001 - Issue 43



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Riding in on the Waves at Midnight



by Suzanne Westerly Journalist/Photographer


San Diego, California

The annual Grunion Festival was held on a typical warm sunny day in July at Pacific Beach. Organizers and performers from the Juaneno Band of Mission Indians Acjachemem Nation and the Kumeyaay Nation organized a wonderful afternoon. People from near and far, gathered for the annual Grunion Festival, which is a revival of a tradition of the Southern California Indians. "Today is the event that brings the ocean, the desert and the mountain people together," said Joyce Perry, "a social event for the indigenous people and an educational event for the non-indigenous people. This is Abel's vision. He has been doing this for a long time."

Festival coordinators Abel Silvas and Joyce Perry, members of the Juaneno Band of Mission Indians were the main organizers. Abel is on the Juaneno Tribal Council; Joyce is the Tribal Manager and Repatriation Consultant. Abel also works as a comedienne, actor, and teacher. Joyce is also into education as the President of Payomkawichum Kaamalam, a non-profit educational organization that was the fiscal sponsor of this year's event.
The Festival is a celebration of a fish that today is called the grunion. For thousands of years, this interesting fish has surfed in on a wave to lay its eggs at high tide after a new or full moon. Originally the fish was called Hashuupill a Kumeyaay/Diegueno word meaning fish out of water, or Ha-il, a Paipai word meaning waterworm.

Long ago grunion and mollusks were gathered at the ocean by the Kumeyaay, and Acjachemem people. As seasonal hunters and gatherers the Acjachemem lived and traveled throughout what is now Orange County, parts of San Diego, Riverside and Los Angeles counties. The Kumeyaay lived and traveled in what is now called San Diego County and northern Baja California.

Today at Pacific Beach, a community on the north of San Diego, nothing much has changed for the grunion, who still ride the waves in as they have for many centuries. For the people though, much has changed.
As the crowd of Festival-goers grew, the live entertainment began. The Fourwinds, a Native American music ensemble started the performances. They were followed by the Alta/Baja Kumeyaay Bird Singers & Dancers.

Running Grunion
Abel introduced the exhibitors at the various arts, and educational booths that people visited throughout the day. He then introduced the audience to the Grunion. "Grunion, meaning grumpy, or agitated, was the word the Spanish gave to the fish," he explained. "Little did they know, they were not agitated, they were spawning. Two days after a full or new moon at high tide, the fish ride the surf onto the sand. The females bury their tails about four or five inches into the sand, and release their eggs. On the next couple of waves, the male fish do their thing."

After telling the traditional Acjachemem creation story, he gave the crowd some history. "Then comes historical times - hysterical is what we call it," he laughed. In San Diego, they consider prehistory the time before Cabrillo came in 1542. "Columbus came in 1492, but that was on the East Coast." Juan Cabrillo began "charting for safe harbors along the coast in 1542 and that is when he met with the Native people here." Other Spanish explorers came but didn't stay, "so we still consider that pre-contact. About 65 years later in 1769, the first European troops came to San Diego." July 16th the Portola's expedition began their ultimate goal of claiming California. On July 18th the expedition took off going north to find Monterey. The priests* who stayed behind recorded their first village here - Pacific Beach," said Abel. "They called us heathens in their writings. They also said at least fifteen women and children came out and greeted them happily. The Europeans were practically skeletons, we gave them food. This is considered the Thanksgiving of this area, and this is why we gather up and down the coast around this time."

The Cupa Cultural Center (Pala) Bird Singers and Dancers who ranged in ages from young teens to older men followed Abel's presentation. They filled the air with their songs as they danced traditional steps to the rhythm of the gourds.

Education and the Arts
Among some of the educational exhibits was a slide presentation, "Planet Earth Express" shown by Birch Aquarium at Scripps Institution of Oceanography. Jet Propulsion Lab (JPL)/NASA brought a telescope so people could look at the sun (only through a special filter) and later observe the whisper of a moon and the stars. There was also a booth where elders displayed the beautiful and useful traditional Kumeyaay basket that they had made. The intricate art of basketweaving continues today.



The California Center for the Arts SUAVE (United Community for Arts in Education) program, based in Escondido had all kinds of interesting items on their table in their booth for the children to experiment with. Learning through the arts is the focus of SUAVE. It is an arts integrated approach to teaching and learning in multi-cultural and multi-lingual settings. At the Festival, program coaches Silvia Mejia (Juaneno), Berta Villaescusa, and Mindy Donners had as much fun as the kids did. Besides the work she does with the youth through SUAVE, Silvia travels around the area teaching cultural studies classes. She shares information her grandmother told her about the routes up and down the coast she (grandmother) took as a young woman.


Abel is also a part of the year-round SAUVE program that is brought into the area schools. The program merges traditional arts with the students' regular studies. "We are hired all year around to be in the classrooms with the teachers," Abel explained. "So it's no longer, 'put your math away it's art time,' now it's 'we are going to do arts and math.' It's very successful. In fact last year we got a Fullbright grant to go to India where we studied arts and education with a hundred teachers from all over India."

Naturally, there was plenty of food for everyone. Each year Mr. Brown, the Director of Education on the Kumeyaay reservation supplies the food and cooks it himself, with a little help. As the Director of Education, he is in charge of ninety children ranging from two to seventeen years old coming from the many Southern California Bands. The State Education Department has been funding the program over the last thirty years. Mr. Brown stressed the fact that no gaming funds are used. The program is funded by the California Department of Education and run by a Board of Directors, independent of the area's Tribal governments.

Cultural practitioner Mingo Belardes, of the Juaneno Band of Mission Indians manned the Coastal Indian Village Exhibit. Mingo is the Curator for the 200-year old Blas Aguilar Adobe Museum and Cultural Center in San Juan Capistrano. "About 10 years ago I started reproducing artifacts I would see on site. Bone tools, stone tools, bows and arrows. I am still trying to gather more for the display." This is an ongoing project for Domingo. He gets requests to bring his good-sized display with him as he shares his knowledge about the people of the Acjachemem Nation with school children and adults at various public events.

The museum where is Curator in San Juan Capistrano "depicts the history before contact with the Spanish, then the Mission or Rancho period and into the turn of the century and the present. It shows how the Indians adapted, became cowboys, yet they always had that contact with the Native part of life, they still knew the traditions and incorporated them into their way of life.

Who was Antonio Garra?
Abel then introduced Jose Rivera, Director of Education at the Marin Museum of the American Indian as his guru. He said Jose inspired him to research his own heritage. Jose has created Living History presentations that bring the listener back in time. Jose has "Apache blood and blood from the other side of what is the border."

At the Festival, he portrayed the Indian hero Antonio Garra, an early day social justice advocate. Garra was a Cupeno Indian who led the 1851 Indian tax revolt in Southern California. Garra was also known as a fighter for Indian rights such as due process in the American judicial system. Unfortunately he was unfairly tried and killed for his brave efforts because he was the leader of his people, like so many Indian leaders throughout the country were. He did not receive due process in the American judicial system.

The First Real Cowboys Were Indians
"The contribution the California Indians have made, not just to our state heritage, but our national heritage has been overlooked for too long," said Jose. "Most historians will agree that the American cowboy didn't show up on the scene until the 1850's. And when he showed up, he found already in place a highly evolved cattle culture. Who were they? The Indians and the Mestizos, the international symbol of the U.S. around the world. But who came first the American cowboy or the California Indian Vaquero who was punching doggies and all those cowboy things in the 1770's here in California. In reality it was the Indian and Mestizos buckaroos who taught the American cowboy his trade and terminology. And that's where the American cowboy got the word buckaroos, because he was emulating the vaqueros." Jose explained that 30 years before Jesse Chissom blazed the famous trail that bears his name by bringing cattle up from Texas to Abilene and Dodge to take the cattle to market in Chicago, Southern California was already known as cow country. "So in reality the first great American cattle drive occurred in California and the American Indian vaqueros preceded the American cowboy, and that is the true contribution of California Indians to American culture."

Living History Presentations
Jose's Living History Presentations are very powerful, helping the audience to really feel and learn the true California history that is not taught in schools. "I've been doing Living History presentations for about 12 - 15 years. It started out as a campfire program; I am a retired Forest Ranger. I started working with the California Council of Humanities and the Chautauqua Living History performances and I felt it was very important to have the voice of the Native Californian Indians come back and be revisited because they have been overlooked for so long. Many people don't realize all the great leaders that came out of California among the indigenous people," said Jose.

"Like Antonio Garra, if you look at his tactics and what he tried to do, he was doing the same thing Tecumseh and Sitting Bull were doing, unifying traditional people who were never unified before to fight a common enemy. The living history performance is a way to make that history come alive. When you think about it, Antonio Garra revolted against the United States for the same reason the American founding fathers revolted against England. Things like taxation without representation, and failure of due process in the judicial system. So here we had a southern California Indian revolting against the United States for American principals."

Jose explained what a terrible time-period that era was for Native people. "There was such a repressive tax in California, the law was basically slavery, the Indenturement Law. That law and the Vagrancy Law were thin facades for Indian slavery in California."

"A lot of history is not known."

California Indians Today
Jose continued, "Many people say the California Indians are now extinct. When you come to something like this, the Grunion Festival or the Earth Renewal Dance, you start seeing that in reality, California Indians have never disappeared, and that through the culture of tenacity they have made California the hotbed for federal tribal recognition nationally. There are more cases of federal tribal recognition in California."

"A lot of those cases were based out of the Determination Period because they were previously recognized as sovereign people and it just so happened that a lot of the problems the California Indians have faced in contemporary y times is because of John Warner. John Warner was the first Senator of California. He led the California Caucus to not ratify the 18 treaties signed in California. John Warner was the one who put the Injunction of Secrecy over that failure to ratify those 18 treaties for 50 years. So, Warner had quite a bit to do with the situation of the California Indians even today. It was because of the selfishness of Mr. Warner. He wanted the Hot Springs, he wanted the village, Cupa and that is how the California Indians were treated statewide."

California Indian Trail of Tears
What about the Springs today? "The springs are about 40 miles east of here. Traditional people went to the beautiful Hot Springs for healing. The people were forced out of there. This was a California Indian Trail of Tears. They (directed by Warner) just rounded them [the Indians] up and marched them out of there to Pala. In ancient days, families would get together, they would sing songs, it was so nice, it was paradise. Today the Hot Springs area is a resort."

Jose has created three different Living History California Indian Chatauqua presentations from Northern, Central and Southern California. At the Marin Museum of the American Indian, he talks about all the native cultures on the continent. "We have a summer camp coyote program where we have kids from six years to twelve years old for one week. Every day we highlight a different Native American region. We include regional foods also. So it's a Native American summer camp. We also provide a lot of scholarships. We work a lot with the Native People in the Bay area."

Find out what Jose is up to at
www.MarinIndian.com . He plans to update the site soon. You can also hear him on the California Indian Radio Project aired on NPR and KPFA.

Project Pacific
Another educational booth displayed information on the ocean how they helped the grunion survive. Project Pacific is devoted to actions that benefit the ocean. Because of their work, the city of San Diego will not to rake the seaweed or kelp during the time their eggs are in the sand, giving the Grunion a better chance for their eggs to mature. Their web site is
www.projectpacific.org .

"Tree" Cody
Robert Tree Cody (Maricopa and Dakota) internationally known Native American flutist emerged from the ocean smiling, carrying his boogey board under his arm. Later he would perform, now he was 'surfing'. His wife Marlene (Assinibone Yankton Sioux, Pawnee, Mohave), their four sons and other family members were all having a great time. Marlene's voice can be heard on several of his recordings.

Tree talked about the festival, "the Grunion Festival represents many tribes that are still present in Southern California. I have been doing this for four years with Abel. Each year it gets bigger and better. I had a great time boogey boarding out there today."

Tree picked up a flute at his Grandpa's house when he was only five years old. He taught himself and along the road, also learned from a few teachers he met. "I keep on learning, never stop learning."

About 25 years ago he started blending traditional music with modern music from different country's and has performed with people from cultures. Though he can't read music, it comes from "my mind, my spirit, my heart, the three elements that brings out my music."

He mentioned that many are aware that Iron Eyes Cody, is his dad. "Despite the controversies, people only hear one side of the story." He explained, "I know my father, I am his true son. My brother and I were adopted by him when we were babies. He was the one who showed me the [entertainment] business. He took me to Hollywood. I was doing Walt Disney shows with my dad when I was about eight years old."

Tree was scheduled to perform with Janice-Marie Johnson in the evening. "I have been working with the famous, Janice-Marie Johnson with a Taste of Honey. She sings rhythm and blues. We have done a lot of shows together and tonight she will come from Pasadena to perform a duet with me."

Later in the evening Tree performed a few songs on his flute, and was then joined by Janice-Marie for the Grande finale. They performed "Let Love Rain Down", which Janice-Marie wrote as a tribute to her Native American heritage. "Let Love Rain Down" is from her current release Hiatus of the Heart and was inspired by her Stockbridge-Munsee Indian roots. They have recorded an album together, which will be released soon. Tree accompanies Janice-Marie, singing in Lakota, a side not many people know about him. To find out where Tree is touring, look up www.treecody.com. And to find out more about Janice-Marie go to http://artists2.iuma.com/IUMA/Bands/A_Taste_Of_Honey.

Midnight and the Grunion
The cool night air drew many to the warm campfire in the sand. Around 10 p.m. people starting watching the incoming high tide for Grunion. Around midnight, the Grunion arrived on the waves and wiggled in the sand. Mission accomplished, they caught another wave back out to sea. In a couple of weeks, baby grunion will appear and they too, will catch the tide out to sea.

Perhaps one day, you too will witness the Grunions wiggling in the sand like the Southern California Indians have for thousands of years.

The Festival was sponsored by theViejas Band of Kumeyaay Indians, The City of San Diego Commission for Arts and Culture, Abel Silvas, Szekey Family Foundation, Hearthside Homes Inc , and The Westerners - the First People of Earth Mother (Payomkawichum Kaamalam).

* When the Spanish "conscripted" - or enslaved local Indians forcing them to build the missions, they consistently named the Indian groups after the mission whose jurisdiction they were under. The 25,000 to 30,000 Natives in the area were named the Diegueno. Kumeyaay was created by Native people in the 1970's and it includes all the Yuman-speaking Indians of Imperial County over the mountains east of San Diego County.


Suzanne Westerly
Writer/Photographer
Los Angeles, CA
310-317-6922
310-569-1644


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Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. section 107.




Canku Ota is a copyright © 2000, 2001 of Vicki Lockard and Paul Barry.


Canku Ota logo


Canku Ota logo

The "Canku Ota - A Newsletter Celebrating Native America" web site and its design is the

Copyright © 1999, 2000, 2001 of Paul C. Barry.

All Rights Reserved.

Monday, June 11

An "Urban Indian" Finds His Culture and His Career


"My family moved here in the 50's after WWII," said Michael Wise, who grew up in Los Angeles. They didn't talk about their Cherokee culture. He only knew his mom was French and English, and that his dad came from New Mexico after leaving Oklahoma. "Dad's side didn't really pay too much attention to their heritage, possibly because if you did say you were Indian you would be pushed aside or worse. I didn't really know anything until my grandmother came and lived with us and told us that we were Indian. I was about 12. She shared the culture with my two brothers and myself," Michael remembered.

"We all sat around and listened to our grandmother tell stories, but she didn't know too much because her family wasn't from the reservation either, she was born in 1890 so everything was pretty messed up around then. Most of my Cherokee heritage was all kind of scattered and broken up, it wasn't like I came off the reservation. The Trail of Tears just sort of blew everybody to the wind, as far as my personal ancestry goes."

Full story

Wednesday, June 6

Coalition to appeal judge's decision on Mount Graham: Says power line will desecrate sacred mountain

06-06-2001
Indian Country Today (Lakota Times)

Coalition to appeal judge's decision on Mount Graham: Says power line will
desecrate sacred mountain

By Suzanne Westerly
TODAY CORRESPONDENT AND TODAY STAFF

TUCSON, Ariz.-A judge's refusal to block construction of a 23-mile
underground power line at the University of Arizona's Mount Graham
International Observatory near Safford, will be appealed by
environmentalists and American Indian groups.

Judge Alfredo Marquez ruled May 15 that the "balance of harms favors the
university; (meaning) their harm is worse than what is going to happen to
the Apaches and the red squirrels potentially," said Michael Nixon, one of
the attorneys for Apaches ...

Thursday, May 31

"Time is now for the true history of the people of the First Nations" - Floyd Westerman

05-31-2001
Westerly, Suzanne
News From Indian Country

"Time is now for the true history of the people of the First Nations" --
Floyd Westerman

For the last two years, Floyd Red Crow Westerman (Dakota Sioux), American
Indian actor, singer, songwriter, and longtime activist and his crew, have
been researching, and documenting on film, the true history of the United
States, as told by American Indians themselves.

On Thursday evening, May 3rd, supporters and friends of Floyd's joined him
at the University of California, Los Angeles, (UCLA) for a gala benefit
dinner and some great entertainment. Invited ...

Judge decides for U of A, and against Mt. Graham

05-31-2001

Westerly, Suzanne
News From Indian Country

Judge decides for U of A, and against Mt. Graham

On May 15, 2001 arguments were heard in the Tucson federal court on whether
the 23-mile-long planned clear-cut up the side of Mt. Graham, for a power
line, is being installed illegally by the University of Arizona (U of A)
for their telescope project.

Judge Alfredo Marquez ruled the "balance of harms favors the university;
[meaning] their harm is worse than what is going to happen to the Apaches
and the red squirrels potentially," said Michael Nixon, one of the
attorneys for Apaches for Cultural ...

Judge decides for U of A, and against Mt. Graham

05-31-2001

Westerly, Suzanne
News From Indian Country

Judge decides for U of A, and against Mt. Graham

On May 15, 2001 arguments were heard in the Tucson federal court on whether
the 23-mile-long planned clear-cut up the side of Mt. Graham, for a power
line, is being installed illegally by the University of Arizona (U of A)
for their telescope project.

Judge Alfredo Marquez ruled the "balance of harms favors the university;
[meaning] their harm is worse than what is going to happen to the Apaches
and the red squirrels potentially," said Michael Nixon, one of the
attorneys for Apaches for Cultural ...

Native business numbers growing

05-31-2001

Westerly, Suzanne
News From Indian Country

Native business numbers growing

For several hundred Indian business owners throughout the United States,
the month of April closed with the National Indian Business Association's
(NIBA) Ninth Annual Conference and Trade Show in Albuquerque, NM.

The owners gathered to network, share and discuss ideas as well as to
participate in workshops to learn from experts in various fields of
business.

Pete Homer, a member of the Mojave Shasta from the Colorado River Indian
Reservation in Arizona has been NIBA's President and CEO for the last four
years.

Homer ...

NCAI's Masten works hard for her people

05-31-2001
Westerly, Suzanne
News From Indian Country

NCAI's Masten works hard for her people

Susan Masten, Yurok Tribal Chair since 1997, was elected President of the
National Congress of American Indians (NCAI) in October of 1999. She has a
long record of working for tribal rights, and many accomplishments
including serving as NCAI's first Vice President from 1994 to 1996, and as
the NCAI Sacramento Area Vice President from 1992 to 1994.

Taking a break from the NBA conference, Maste took some time to talk about
the projects she's been working on since she was elected President of NCAI
at the ...

Saturday, May 19

Teachers Are Offered Wonderful Opportunities to Teach in Indian Country, full story

Canku Ota

(Many Paths)

An Online Newsletter Celebrating Native America


May 19, 2001 - Issue 36








Teachers Are Offered Wonderful Opportunities to Teach in Indian Country



by Suzanne Westerly Correspondent



photos by Suzanne Westerly: far left, kneeling is Barbara, and far right standing is Darrell.


Last spring, the Bureau of Indian Affairs (BIA) Office of Indian Education Programs (OIEP) moved from Washington, D.C. to Albuquerque, New Mexico. The new southwest location enticed two very special people to it. Barbara Parisian (Blackfeet) and Darrell Flyingman (Choctaw), are both dedicated to educating American Indian youth, and were ready to take on their new challenge; filling vacancies in the BIA school system. But how?

Barbara is an Education Specialist having spent 26 years in the school system. She worked for the Department of Education in D.C. in the early 90's, and from through 1998 as was a school principal in rural Montana. She always wanted to live in the southwest so when she heard about the job she currently holds, she applied for it. Now in the BIA OIEP Division of School Improvement, Barbara explained, "We [OIEP] have a comprehensive system of personnel developing that requires us to go out recruit, train and retain quality teachers in the areas of special education as well as general education. We also offer summer institutes where teachers can get credits."

Darrell is a Personnel Management Specialist in the Human Resources Office. He came from Lawrence, Kansas; Haskell Indian Nations University. "It was hard to leave Haskell, but my wife and I decided it was time to do something different," he said.

Darrell told me how the 1st Annual Indian Education Teacher Recruitment Week came about. He and Barbara had a meeting one day to discuss bringing "more teachers into Indian country. At that time, I think we were 150 -200 teachers short. So, we started kicking around different ideas." They came up with the idea to have a teacher's recruitment week. They chose the week of April 16th because Santa Fe Indian School was on spring break, and that way the teachers they planned to recruit could live in the dorms, "to see how the students live," said Darrell.

They then presented their plan to Kevin Skenandore (Oglala,Oneida), Division Chief of the Division of School Improvement who thought it was a great idea. Kevin then proceeded to find the funds to make their plan a reality.

Barbara and Darrell sent the announcement out to Native Americans in the educational field. Altogether 43 people received the all expense paid trip for the 1st Annual Teachers Recruitment Week in Santa Fe, to learn about the many opportunities the BIA school system has to offer and to experience some BIA schools.

Monday, the teachers came from around the country. On Tuesday, they all gathered in a beautiful new auditorium at the SFIS. First they were welcomed by Joseph Abeyta (Santa Clara Pueblo), Superintendent at the SFIS, Ray Gachupin (Jemez Pueblo), Director of Student Programs at SFIS, and Walter Dasheno (Santa Clara Pueblo), Governor and liaison between the Pueblo Governors and the school.

Then Barbara introduced the panel of speakers starting with Dr. Angelita Felix (Arikara), who is with the BIA Division of School Improvement. Dr. Felix said, "We don't want a person that just wants a job, we want you to come because you think you can make a difference in a childs life." She talked of how wonderful it has been for her to learn about different tribes from teaching in several BIA schools. She also shared her experiences regarding the challenges first time teachers face as well as giving the soon-to-be teachers some tips.

With high praise, Dr. Felix introduced Isaac Casados, a dynamic 19-year old young man who was involved in many school programs while attending SFIS and is now a freshman at Georgetown University. Isaac grew up off-reservation; born in Portales, NM, his mom is Navajo and his dad, Hispanic and Anglo from Santa Fe. Growing up he spent time on both the Navajo Reservation and at Santa Clara Pueblo where his mom taught school, and still does. Isaac stressed the importance of the work the teachers would soon begin, "when a child walks into a classroom, the anticipation that they have is the same anticipation that first year teachers have, however do you understand the difference you are going to make in that childs life?"

Isaac works in Washington D.C. for Congressman Udall and Senators Biden, and Kennedy reviewing bills, while majoring in international politics, "law school probably after that." He is also the CEO of ASM Media Group, which will be launched in January of 2002 with their first publication of "The Rag." I expressed my amazement at all he does, and he responded, "Anybody can do anything as long as they have the will and the initiative."

Then Don Sims (Choctaw), Superintendent of Riverside Indian School in Oklahoma talked of the joy he has received teaching the kids, and the wonderful teachers that made a difference in his life, and how he now enjoys giving it back to the kids he teaches. "You are going to be the major reason why kids succeed or don't. Beside reading writing and arithmetic, "I suggest to you, you need to teach self-reliance, you should teach persistence, self-motivation, service to others, teach courage, dignity and love. If you do that in your classroom everyday, then the students that are experiencing your giving; that experience will echo in them the next day, and the next."

Several speakers brought up the importance of having Indian teachers as role models teaching Indian students.

Ed Parisian (Cree), Education Superintendent of the Eight Northern Pueblo Agency, said he wanted to be a teacher and coach since elementary school because of the teachers he had that made a difference in his life. He also talked of the educational goals the Bureau has set for the next five years based on culturally appropriate instructional materials and indigenous values.
(see sidebar)

SIDEBAR -
[The Division of School Improvement is just that. According to a document handed out to everyone, "Members of the Indian Community School, Inc.'s Board of Directors for 1999-2000 created a document called Guidelines for the Selection of Culturally Appropriate Instructional Materials. This document was "developed to assist teachers and others in the schools how to analyze instructional materials for American Indian students with respect to critical elements in the areas of subject matter, content, organization structure, student experience, teaching strategies, assessment and equity."

According to the manual, teaching must be based on these basic requirements: "1) Materials should reflect high expectations of all students; 2) use local cultural and environmental knowledge; 3) provide numerous and appropriate experiences that encourage students to develop confidence in their own critical thinking; 4) ensure active participation of students in learning, doing, and evaluating content; 5) reflect current research; 6) reflect a developmentally appropriate sequence and allow for teacher flexibility; and finally, 6) challenge students to construct choices and make decisions, subject each action and outcome to reflection using indigenous values."]

The teachers were surprised to learn that there are 185 BIA schools located on 63 Native Nations in 23 states. The BIA school system has about 4,900 teachers, administrators, counselors, and support personnel.

Tuesday afternoon and Thursday were spent touring various schools on the Pueblos in the area. This enabled the teachers to meet and network with educators, principals, children and others involved in Indian education.

On Wednesday the teachers heard from Kevin Skenandore, Division Chief of DSI and were given the BIA orientation/benefit packages and learned about residential living and computer connections.

The teachers were also given the opportunity to meet principals from other BIA schools at a job fair that was organized for them at SFIS. The Principals came with the hope of recruiting much-needed teachers in their areas.

Darrell told me that the principals, paid their own way, coming from "Washington, Oregon, Oklahoma, South Dakota, North Dakota, Montana, Arizona, California, New Mexico, just about every state where we have a lot of Native Americans."

During the week, the teachers were also taken to San Juan Pueblo's new casino, and enjoyed a traditional Pueblo meal at Santa Clara Tribal Facility where they were entertained by Pueblo and Navajo youth.

On their last evening there was Banquet with award presentations at the Courtyard Marriott in Santa Fe, which is where I caught up with them again, curious to hear how the week went for everyone. The banquet hall filled with enthusiastic teachers, who after a week together, had all become good friends.

Darrell Flyingman took me around to talk with several of the participants to hear how they felt about the week.

First, Donald Pine, (Lakota, Standing Rock Sioux) shared his thoughts. Donald has been working his way through school at Fort Hall, a tribal school in Idaho. He worked days to support his family including four children, and went to school nights. About the week, Donald smiled and said, "It was really a wonderful opportunity to see so many other Indians who are going to be professionals, and to network. I've actually made some really good friends this week, it's been a really positive experience." He was surprised to learn, as were many others, about all the opportunities there are for teaching within the BIA educational system. He is thinking of teaching in New Mexico or South Dakota.

Then a bubbly Karen Galloway (Choctaw from Oklahoma) talked with us. Karen, who after raising her children, went back to school to get her Masters in Special Education. She had a great experience during the week as well. "My head is spinning, there are so many things to think about and decisions to make. I made some good contacts." She has decided on New Mexico. She was impressed with the school at Isleta Pueblo, and "will see what happens." Her grown children are happy about her move; researched NM on the Net, and think it's great, and may move from Oklahoma to join her here.

Then Darrell took me to a table where four members of a family from Montana were sitting. Craig Wellman (Blackfeet) came with his wife, nephew, and his sister. With great enthusiasm, Craig shared his thoughts, "Had a great week, I am really excited about it. As far as a first time [recruitment program] it was great. The entire concept; it needs to be done, it should have happened sooner, but at least it's happening now." His sister has been teaching for seven years, he and his wife will student teach this fall. Where would they like to teach? "We've already had several offers, we want to teach in New Mexico." Craig and his wife have five children, three in college, and an 8th and a 9th grader.

Darrell felt they selected a very good group of new teachers out of the many that applied. Everyone there felt the 1stAnnual Indian Education Teacher Recruitment Week was a great success.

After dinner, Darrell and Barbara gave everyone a certificate for attending the session. Darrell told them he would be sending out emails and faxes for feedback on the week, and hoped they would keep in touch and let Barbara or himself know when and where they got a job within the BIA Educational Program.

Talking about their future teaching jobs, Barbara stressed the importance of asking questions, learning about the community they work in, becoming part of the community, and acting professionally at all times. She also talked of the importance of continuing to set goals for themselves.

The teachers commended and thanked Barbara, Darrell and the others who they spent the week with. Many remarked about the wonderful opportunities and eye opening experiences they were given especially by going into so many schools.

Darrell feels there are many teachers out there that would probably like to work in Indian country, but "they just don't know about it. So, we have developed a web page so they can pull up the different job vacancies throughout Indian country. Like administration, or maybe somebody is looking for a bus driving job, or to be a cook. So we are trying to get the word out."

If you or someone you know may be interested in working with and motivating Indian youth, <http://www.biaeducationjobs.com > or
<
http://www.oiep.bia.edu >
are the web sites to visit.

Suzanne Westerly
Photojournalist
POB 31340
Santa Fe, NM 87594
P/F 505-989-1968 cell 505 -670-1644
suzannewesterly@earthlink.net














Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. section 107.




Canku Ota is a copyright © 2000, 2001 of Vicki Lockard and Paul Barry.



The "Canku Ota - A Newsletter Celebrating Native America" web site and its design is the

Copyright © 1999, 2000, 2001 of Paul C. Barry.

All Rights Reserved.

Teachers Are Offered Wonderful Opportunities to Teach in Indian Country, full story

Canku Ota

(Many Paths)

An Online Newsletter Celebrating Native America

May 19, 2001 - Issue 36

Teachers Are Offered Wonderful Opportunities to Teach in Indian Country

by Suzanne Westerly Correspondent

photos by Suzanne Westerly: far left, kneeling is Barbara, and far right standing is Darrell.

Last spring, the Bureau of Indian Affairs (BIA) Office of Indian Education Programs (OIEP) moved from Washington, D.C. to Albuquerque, New Mexico. The new southwest location enticed two very special people to it. Barbara Parisian (Blackfeet) and Darrell Flyingman (Choctaw), are both dedicated to educating American Indian youth, and were ready to take on their new challenge; filling vacancies in the BIA school system. But how?

Barbara is an Education Specialist having spent 26 years in the school system. She worked for the Department of Education in D.C. in the early 90's, and from through 1998 as was a school principal in rural Montana. She always wanted to live in the southwest so when she heard about the job she currently holds, she applied for it. Now in the BIA OIEP Division of School Improvement, Barbara explained, "We [OIEP] have a comprehensive system of personnel developing that requires us to go out recruit, train and retain quality teachers in the areas of special education as well as general education. We also offer summer institutes where teachers can get credits."

Darrell is a Personnel Management Specialist in the Human Resources Office. He came from Lawrence, Kansas; Haskell Indian Nations University. "It was hard to leave Haskell, but my wife and I decided it was time to do something different," he said.

Darrell told me how the 1st Annual Indian Education Teacher Recruitment Week came about. He and Barbara had a meeting one day to discuss bringing "more teachers into Indian country. At that time, I think we were 150 -200 teachers short. So, we started kicking around different ideas." They came up with the idea to have a teacher's recruitment week. They chose the week of April 16th because Santa Fe Indian School was on spring break, and that way the teachers they planned to recruit could live in the dorms, "to see how the students live," said Darrell.

They then presented their plan to Kevin Skenandore (Oglala,Oneida), Division Chief of the Division of School Improvement who thought it was a great idea. Kevin then proceeded to find the funds to make their plan a reality.

Barbara and Darrell sent the announcement out to Native Americans in the educational field. Altogether 43 people received the all expense paid trip for the 1st Annual Teachers Recruitment Week in Santa Fe, to learn about the many opportunities the BIA school system has to offer and to experience some BIA schools.

Monday, the teachers came from around the country. On Tuesday, they all gathered in a beautiful new auditorium at the SFIS. First they were welcomed by Joseph Abeyta (Santa Clara Pueblo), Superintendent at the SFIS, Ray Gachupin (Jemez Pueblo), Director of Student Programs at SFIS, and Walter Dasheno (Santa Clara Pueblo), Governor and liaison between the Pueblo Governors and the school.

Then Barbara introduced the panel of speakers starting with Dr. Angelita Felix (Arikara), who is with the BIA Division of School Improvement. Dr. Felix said, "We don't want a person that just wants a job, we want you to come because you think you can make a difference in a childs life." She talked of how wonderful it has been for her to learn about different tribes from teaching in several BIA schools. She also shared her experiences regarding the challenges first time teachers face as well as giving the soon-to-be teachers some tips.

With high praise, Dr. Felix introduced Isaac Casados, a dynamic 19-year old young man who was involved in many school programs while attending SFIS and is now a freshman at Georgetown University. Isaac grew up off-reservation; born in Portales, NM, his mom is Navajo and his dad, Hispanic and Anglo from Santa Fe. Growing up he spent time on both the Navajo Reservation and at Santa Clara Pueblo where his mom taught school, and still does. Isaac stressed the importance of the work the teachers would soon begin, "when a child walks into a classroom, the anticipation that they have is the same anticipation that first year teachers have, however do you understand the difference you are going to make in that childs life?"

Isaac works in Washington D.C. for Congressman Udall and Senators Biden, and Kennedy reviewing bills, while majoring in international politics, "law school probably after that." He is also the CEO of ASM Media Group, which will be launched in January of 2002 with their first publication of "The Rag." I expressed my amazement at all he does, and he responded, "Anybody can do anything as long as they have the will and the initiative."

Then Don Sims (Choctaw), Superintendent of Riverside Indian School in Oklahoma talked of the joy he has received teaching the kids, and the wonderful teachers that made a difference in his life, and how he now enjoys giving it back to the kids he teaches. "You are going to be the major reason why kids succeed or don't. Beside reading writing and arithmetic, "I suggest to you, you need to teach self-reliance, you should teach persistence, self-motivation, service to others, teach courage, dignity and love. If you do that in your classroom everyday, then the students that are experiencing your giving; that experience will echo in them the next day, and the next."

Several speakers brought up the importance of having Indian teachers as role models teaching Indian students.

Ed Parisian (Cree), Education Superintendent of the Eight Northern Pueblo Agency, said he wanted to be a teacher and coach since elementary school because of the teachers he had that made a difference in his life. He also talked of the educational goals the Bureau has set for the next five years based on culturally appropriate instructional materials and indigenous values.
(see sidebar)

SIDEBAR -
[The Division of School Improvement is just that. According to a document handed out to everyone, "Members of the Indian Community School, Inc.'s Board of Directors for 1999-2000 created a document called Guidelines for the Selection of Culturally Appropriate Instructional Materials. This document was "developed to assist teachers and others in the schools how to analyze instructional materials for American Indian students with respect to critical elements in the areas of subject matter, content, organization structure, student experience, teaching strategies, assessment and equity."

According to the manual, teaching must be based on these basic requirements: "1) Materials should reflect high expectations of all students; 2) use local cultural and environmental knowledge; 3) provide numerous and appropriate experiences that encourage students to develop confidence in their own critical thinking; 4) ensure active participation of students in learning, doing, and evaluating content; 5) reflect current research; 6) reflect a developmentally appropriate sequence and allow for teacher flexibility; and finally, 6) challenge students to construct choices and make decisions, subject each action and outcome to reflection using indigenous values."]

The teachers were surprised to learn that there are 185 BIA schools located on 63 Native Nations in 23 states. The BIA school system has about 4,900 teachers, administrators, counselors, and support personnel.

Tuesday afternoon and Thursday were spent touring various schools on the Pueblos in the area. This enabled the teachers to meet and network with educators, principals, children and others involved in Indian education.

On Wednesday the teachers heard from Kevin Skenandore, Division Chief of DSI and were given the BIA orientation/benefit packages and learned about residential living and computer connections.

The teachers were also given the opportunity to meet principals from other BIA schools at a job fair that was organized for them at SFIS. The Principals came with the hope of recruiting much-needed teachers in their areas.

Darrell told me that the principals, paid their own way, coming from "Washington, Oregon, Oklahoma, South Dakota, North Dakota, Montana, Arizona, California, New Mexico, just about every state where we have a lot of Native Americans."

During the week, the teachers were also taken to San Juan Pueblo's new casino, and enjoyed a traditional Pueblo meal at Santa Clara Tribal Facility where they were entertained by Pueblo and Navajo youth.

On their last evening there was Banquet with award presentations at the Courtyard Marriott in Santa Fe, which is where I caught up with them again, curious to hear how the week went for everyone. The banquet hall filled with enthusiastic teachers, who after a week together, had all become good friends.

Darrell Flyingman took me around to talk with several of the participants to hear how they felt about the week.

First, Donald Pine, (Lakota, Standing Rock Sioux) shared his thoughts. Donald has been working his way through school at Fort Hall, a tribal school in Idaho. He worked days to support his family including four children, and went to school nights. About the week, Donald smiled and said, "It was really a wonderful opportunity to see so many other Indians who are going to be professionals, and to network. I've actually made some really good friends this week, it's been a really positive experience." He was surprised to learn, as were many others, about all the opportunities there are for teaching within the BIA educational system. He is thinking of teaching in New Mexico or South Dakota.

Then a bubbly Karen Galloway (Choctaw from Oklahoma) talked with us. Karen, who after raising her children, went back to school to get her Masters in Special Education. She had a great experience during the week as well. "My head is spinning, there are so many things to think about and decisions to make. I made some good contacts." She has decided on New Mexico. She was impressed with the school at Isleta Pueblo, and "will see what happens." Her grown children are happy about her move; researched NM on the Net, and think it's great, and may move from Oklahoma to join her here.

Then Darrell took me to a table where four members of a family from Montana were sitting. Craig Wellman (Blackfeet) came with his wife, nephew, and his sister. With great enthusiasm, Craig shared his thoughts, "Had a great week, I am really excited about it. As far as a first time [recruitment program] it was great. The entire concept; it needs to be done, it should have happened sooner, but at least it's happening now." His sister has been teaching for seven years, he and his wife will student teach this fall. Where would they like to teach? "We've already had several offers, we want to teach in New Mexico." Craig and his wife have five children, three in college, and an 8th and a 9th grader.

Darrell felt they selected a very good group of new teachers out of the many that applied. Everyone there felt the 1stAnnual Indian Education Teacher Recruitment Week was a great success.

After dinner, Darrell and Barbara gave everyone a certificate for attending the session. Darrell told them he would be sending out emails and faxes for feedback on the week, and hoped they would keep in touch and let Barbara or himself know when and where they got a job within the BIA Educational Program.

Talking about their future teaching jobs, Barbara stressed the importance of asking questions, learning about the community they work in, becoming part of the community, and acting professionally at all times. She also talked of the importance of continuing to set goals for themselves.

The teachers commended and thanked Barbara, Darrell and the others who they spent the week with. Many remarked about the wonderful opportunities and eye opening experiences they were given especially by going into so many schools.

Darrell feels there are many teachers out there that would probably like to work in Indian country, but "they just don't know about it. So, we have developed a web page so they can pull up the different job vacancies throughout Indian country. Like administration, or maybe somebody is looking for a bus driving job, or to be a cook. So we are trying to get the word out."

If you or someone you know may be interested in working with and motivating Indian youth, <http://www.biaeducationjobs.com > or
<
http://www.oiep.bia.edu >
are the web sites to visit.

Suzanne Westerly
Photojournalist
POB 31340
Santa Fe, NM 87594
P/F 505-989-1968 cell 505 -670-1644
suzannewesterly@earthlink.net

Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. section 107.

Canku Ota is a copyright © 2000, 2001 of Vicki Lockard and Paul Barry.

The "Canku Ota - A Newsletter Celebrating Native America" web site and its design is the

Copyright © 1999, 2000, 2001 of Paul C. Barry.

All Rights Reserved.

Tuesday, May 15

Gathering of Nations PowWow

05-15-2001
News From Indian Country

Gathering Of Nations

For the eighteenth year in a row, the last weekend in April found 3,000
dancers, 49 sitting drums, and singers and artists from over 500 tribes
coming together from all over America to dance, see old friends, and share
their traditional dancing with a crowd estimated this year at 100,000.

"The power of the pow wow is able to put into immediate grasp our wonderful
spirituality, the love and respect of our homeland, the ready smile of our
people and our unique culture, a gift that the world would otherwise never
receive," wrote ...

Gathering of Nations PowWow

05-15-2001
Westerly, Suzanne
News From Indian Country

Gathering Of Nations

For the eighteenth year in a row, the last weekend in April found 3,000
dancers, 49 sitting drums, and singers and artists from over 500 tribes
coming together from all over America to dance, see old friends, and share
their traditional dancing with a crowd estimated this year at 100,000.

"The power of the pow wow is able to put into immediate grasp our wonderful
spirituality, the love and respect of our homeland, the ready smile of our
people and our unique culture, a gift that the world would otherwise never
receive," wrote ...

Miss Indian World: Ke Aloha Alo First Native Hawaiian to enter and to win

05-15-2001
Westerly, Suzanne
News From Indian Country

Miss Indian World: Ke Aloha Alo, First Native Hawaiian to enter and to win

Ke Aloha Alo, the beautiful 25-year-old White Mountain
Apache/Hawaiian/Samoan woman who will now carry the responsibilities as the
new Miss Indian World, said how happy she was to have both sides of her
family present to share her crowning.

In the Traditional Talent contest, she lit up the stage as she came on with
bowls of flames in both hands, and danced the beautifully fluid hula
wearing traditional hula clothing.

"I am really excited to be the first Native Hawaiian ever ...

Clan/destine rocks

01-15-2001

Westerly, Suzanne
News From Indian Country

Clan/destine rocks

I caught up with some of the Clan/destine band members at their practice
place on a warm summer night in Phoenix. Waiting for me were Dave Montour,
bass, flute, vocals; Steve Gatlin, drummer; Derrick Davis, World Champion
Hoop Dancer; and Chuck Harris, guitar, who were packing up to fly to a
concert in Iowa early the next morning.

They talked about their recent trip to England. Steve said, "We started out
in Liverpool, England. We played the Matthew Street Festival. We did three
gigs up in Liverpool, and then we went down to ...

Saturday, May 5

Rez-Robics:New Lifestyle Guaranteed to Make you Smile

Rez Robics



A New Lifestyle Guaranteed to Make you Smile



article and photos by Suzanne Westerly


May 5, 2001
Pam Belgarde's long-held dream is now a reality many can share and enjoy. Rez-Robics, a new video created with lots of heart and soul will have you "laughing," said Pam enthusiastically. I had the pleasure of meeting her and "the crew" during the filming of Rez-Robics in Albuquerque last November. Actress Elaine Miles, (Northern Exposure and Smoke Signals), and comedienne Drew LaCapa, will make you smile, as Pam and Reggie Mitchell lead the 'robics in this insightful, positive and humorous new video on diabetes and "how to take control of your health."

I caught up with the Rez-Robics crew the day after they had taped some skits out at the Isleta Pueblo, just south of Albuquerque.

On this brisk, but sunny winter morning, I immediately saw Drew and Elaine, riding on a tandem bicycle as I drove into the parking lot.

Elaine and Drew continued riding their bicycle-built-for-two in the circle driveway constantly joking around, of course. I was impressed; they never once fell off the bike or crashed into the film crew. (When is the last time you rode a bike!?) Gary Rhine, (producer/director) was telling them to "go around one more time." After a "final wrap" we all went into the nice warm studio where the rest of the crew was getting prepared to shoot the aerobics portion of the video.

Read Full Article HERE

Rez Robics: A New Lifestyle Guaranteed to Make you Smile [Full Story]

Canku Ota

(Many Paths)

An Online Newsletter Celebrating Native America

May 5, 2001 - Issue 35

Rez Robics

A New Lifestyle Guaranteed to Make you Smile

article and photos by Suzanne Westerly

Pam Belgarde's long-held dream is now a reality many can share and enjoy. Rez-Robics, a new video created with lots of heart and soul will have you "laughing," said Pam enthusiastically. I had the pleasure of meeting her and "the crew" during the filming of Rez-Robics in Albuquerque last November. Actress Elaine Miles, (Northern Exposure and Smoke Signals), and comedienne Drew LaCapa, will make you smile, as Pam and Reggie Mitchell lead the 'robics in this insightful, positive and humorous new video on diabetes and "how to take control of your health."

I caught up with the Rez-Robics crew the day after they had taped some skits out at the Isleta Pueblo, just south of Albuquerque.

On this brisk, but sunny winter morning, I immediately saw Drew and Elaine, riding on a tandem bicycle as I drove into the parking lot.

Elaine and Drew continued riding their bicycle-built-for-two in the circle driveway constantly joking around, of course. I was impressed; they never once fell off the bike or crashed into the film crew. (When is the last time you rode a bike!?) Gary Rhine, (producer/director) was telling them to "go around one more time." After a "final wrap" we all went into the nice warm studio where the rest of the crew was getting prepared to shoot the aerobics portion of the video.

As we walked over to the nearby studio, Gary told me about the fun they had at Isleta Pueblo the day before, sharing some of the scenes with me.

Before the exercising began, everyone took a time-out to munch and chat at a table filled with healthy foods. Drew of course asked where the frybread was.

Pam is one of the producers as well the aerobics choreographer. She and Reggie Mitchell, a self-defense instructor from the Navajo Nation, lead the group consisting of people of all shapes and sizes in an entertaining aerobics workout. Most of the people, on both sides of the camera, are from the Navajo Nation.

Pam, from the Turtle Mountain Band of Chippewa, talked about how this video came together. "I used to do the Health Program every Friday on Native America Calling - on AIROS. She now works for the Northern Navajo Medical Center. "Our specific department is called Four Directions* Health Communications."

Pam and Gary Rhine, with DreamCatchers, Inc., based in Malibu, CA have been dreaming about this video for about six years. A grant from the Initiative on Diabetes in Native America enabled their dream to come true.

"Drew has diabetes, Elaine's mom has it. I have all kinds of family members who have diabetes. Who in Indian country doesn't have family members with diabetes? It's an epidemic," said Pam, explaining her deep desire for wanting this video to be created and widely distributed.


"Diabetes is a disease of the fork. That and not moving your body." She is a strong supporter of people "eating as closely as they can to the way our ancestors did, just protein, vegetables and fruits. We can't eat exactly like we did before, but we can eat similar to that."

The crew working on the video all had similar stories to tell; the sadness of seeing friends and family members having a foot amputated, then a leg, the other leg, losing their eyesight, and dying before their time. They know that diabetes is preventable by getting some exercise and eating healthy, and they hope this video will help convince others.

Reggie Mitchell, a co-director of the production talked about his involvement in the video. "I give self-defense programs in Gallup to law enforcement personnel, teachers, and others for personal protection. I also teach violence prevention training to kids, and I talk about the consequences of your actions and stuff like that."

Mitchell has young children of his own, and knowing how diabetes is now affecting so many Native youth he felt this video was very important and was glad to be a part of it. "We are bringing it across in a way that's fun and different from the other videos that are out there on the market today. We use PowWow moves, a blend of martial arts techniques and music. It is groundbreaking because there's no video out there that I've seen or heard of that's like this."

Elaine Miles is Cayuse/NezPerce and lives in Seattle. Elaine's grandmother died from diabetes and her mom now has it. "I decided, well no more fry bread, no more greasy foods. We eat a lot of vegetables now, and we walk."

Elaine and her young son, work with the Midwestern American Indian Diabetes Association and with the United National Indian Tribal Youth Organization based out of Oklahoma. She tries to get involved in any program that helps Native people become aware of the seriousness of the diabetes.

Drew walked over smiling his impish grin. He calls himself a mutt - Hopi/Apache/Tewa/Scott-Irish. Looking a lot thinner, (he used to introduce himself as 300 pounds of love) he talked about the video and dealing with diabetes, which is what cut short his grandmothers life. "I found out a couple of years ago that I had it. I promised myself and I hope this for everybody else - that they will not allow this disease to victimize them. It's a lifelong maintenance thing. I've weaned myself from unhealthy foods and sodas. I've learned to drink a lot more water."

Before production started, the group had gathered for a Blessing Ceremony at sunrise, led by Stan Parker from the Navajo Nation. This video is profoundly important to all the participants.

Natay, whose grandfather did the opening blessing, lives in Albuquerque, and is a Hip-hop-rap artist. "What I want to do with this video is to keep the focus on the health issue. To get someone off his or her butt and start exercising - that's motivation for me. The music in this is great! It's all Native music."

I went over to talk with Tom Bee (Dakota), as everyone else headed in to start with the aerobics session. Tom, many will recall, played with great band from the 70's, XIT, is the President of Sound of America Records (SOAR) Corporation. He gladly provided music for the video.

Diabetes has had a major impact on his life. "Diabetes is something that I wouldn't wish on anybody, it's a dreadful disease, a silent killer. "I've been living with it for the past 11 years. The video, "is something that stirred my heart because now we are seeing that even children are suffering from this disease. When you go out to the reservation, you see kids that are affected by this deadly disease, and schools push all the junk food in vending machines. Then we wonder why they can't do their homework or why they can't be productive in school or don't have the energy. It's very important if you want to be productive. To be able to contribute to society you must watch what you eat, exercise, and really take care of your body."

Recently, at the First Americans in the Arts award ceremony in Beverly Hills, I ran into Gary. He told me the Rez-Robics 'crew' was there to preview some video clips and to perform a short 'rezorcise' on stage. Drew, as usual was the star of silly antics. He and Elaine didn't exactly follow the instructors (Pam or Reggie) moves.

After 'rezorcising' to the Rez-Robics video clip, zany Drew had the audience roaring with laughter with his irrepressible antics and humor. Wearing a 'sexy' one-piece outfit. When he did the video he was asked what he wanted in return, Drew said, "A leopard skin outfit, then they made me put it on!"

He told the audience how finding out about his diabetes changed his life in many ways. "I used to be 300, I lost 100 pounds, now I only have 1 1/2 chins. My wife said, 'look at him he looks like a skinwalker, he's shapeshifting!'"

Before leaving the stage he became serious for a moment saying, "We are going to take control of diabetes. We don't want to be victims anymore."

Rez-Robics comes to you with humor, and laughter. The whole group enjoyed making being a part of the production. They hope that you too, will be laughing as you begin movin' to the groove of Rez-Robics.

Pam wants to thank the following "people and organizations that have helped us out tremendously: John and Veronica Montoya of Isleta Pueblo, Tom Bee of Sound of America Records, NikÈ Native American Diabetes Program, Sam McCracken, Downtown Health Club of Gallup, and New Mexico Sports and Wellness."

'How do I get the Rez-Robics video's and how much do they cost!?' you ask.

Made possible with a grant, the set (2) is available free-of-charge to Indian country. One video has it all, the second, just the 'rezorcise' portion. Producers Gary and Pam hope anyone that has duplication capabilities will copy it and give a copy to family and friends. "We want it everywhere in Indian Country."

NOW AVAILABLE throughout Indian country:
If you live on or near the Navajo Nation, call 800-549-5644.
Otherwise send a SASE and enclose a 12x15-priority mail envelope (found at the post office) with a priority stamp on it. Mail this to DreamCatchers, Inc., 23852 Pacific Coast Highway # 766, Malibu, CA, 90265.

Soon, you too will be movin' to the groove of Rez-Robics.
Suzanne Westerly travels the southwest, and is currently based in Santa Fe, NM.
Photojournalist
POB 31340
Santa Fe, NM 87594
P/F 505-989-1968 cell 505 -670-1644
suzannewesterly@earthlink.net

Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. section 107.

Canku Ota is a copyright © 2000, 2001 of Vicki Lockard and Paul Barry.

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Copyright © 1999, 2000, 2001 of Paul C. Barry.

All Rights Reserved.

Monday, April 30

Diverse Opportunities Available in Indian Country

04-30-2001

Westerly, Suzanne
News From Indian Country

Diverse Opportunities Available in Indian Countr

Albuquerque, New Mexico (NFIC)

Albuquerque was the place to be during the week of April 8 if you were
interested in Indian gaming and the many diverse opportunities that have
been generated because of Indian gaming.

In the heart of Pueblo Country, the National Indian Gaming Association
(NIGA) held their Trade Show and Convention at the Albuquerque Convention
Center, attracting around 3,000 people with a variety of interests.

About 2,500 NIGA delegates and members were present at the ...

Sunday, April 15

Statue of Pueblo leader Pope destined for D.C.

04-15-2001

Westerly, Suzanne
News From Indian Country

Statue of Pueblo leader Pope' destined for D.C.

Santa Fe, New Mexico (NFIC)

A small group of Hispanics in New Mexico tried to stop the statue of the
leader of the 1680 Pueblo Revolt, Pope', from being placed in the Hall of
Statuary in Washington, D.C. Never-forgotten 400 year-old wounds were once
again the cause of anguish to many.

In 1680, Pope', a holy man of the Pueblo people, along with several other
Pueblo spiritual leaders, led a victorious revolt against Spanish
conquistadors who had invaded Pueblo lands.

As they invaded what is now New Mexico ...

FAITA: "We as a people are very creative"

04-15-2001

Westerly, Suzanne
News From Indian Country

FAITA: We as a people are very creative

Beverly Hills, California (NFIC)

Glamorous Native artists and their guests, dressed in stunning gowns,
tuxedoes, and traditional clothing, mingled with friends and fans at the
9th Annual First Americans in the Arts Awards at the Beverly Hilton Hotel.
Stars and future stars networked with colleagues and caught up with friends
before entering the Grand Ballroom for dinner, the award ceremony, and
entertainment.

Moving slowly through the Silent Auction room, people lingered at tables
and stands observing the ...

24TH ANNUAL INDIAN SCHOOL: Focus on healing, personal growth, renewal and strengthening of the spirit

04-15-2001

Westerly, Suzanne
News From Indian Country

24TH ANNUAL INDIAN SCHOOL: Focus on healing, personal growth, renewal and
strengthening of the spirit

Albuquerque, New Mexico (NFIC)

"I had never realized what happens at a school like this, but there is
something very deep and spiritual about what goes on here." "It's really
changed my life, I've got a complete new outlook on life." "There's a
feeling of unity." "That workshop was so powerful."

These were a few of the comments heard during the week-long 24th Annual
Indian School on Alcohol and Other Drug Related Problems organized by the
American ...

Thursday, April 12

There's Still Time To Catch Jump Kiss: An Indian Legend

There's Still Time To Catch Jump Kiss: An Indian Legend
by Suzanne Westerly, Photojournalist

Bringing us back in time, a Native American woman of mixed-blood tells her thought-provoking story of growing up in mid-century Kansas City in the new play, Jump Kiss: An Indian Legend, now playing at the Autry Museum of Western Heritage in Griffith Park.

more when I find it

Saturday, March 31

Protecting Traditions while Promoting Tourism

03-31-2001

Westerly, Suzanne
News From Indian Country

Protecting traditions while promoting tourism

Protecting traditions, beliefs and sacred sites are among the main issues
Native nations are discussing when considering tourism as a means of
economic development.

In late February, 16 tribal delegates arrived from the Federation of
Saskatchewan Indian Nations in Canada to meet with Pueblo representatives
to discuss tourism issues. The program was called the "New Mexico Indian
Governments Exchange Project, Tribal Tourism & Economic Development."

The delegation visited New Mexico as the guests of ...

Protecting Traditions while Promoting Tourism

03-31-2001

Westerly, Suzanne
News From Indian Country

Protecting traditions while promoting tourism

Protecting traditions, beliefs and sacred sites are among the main issues
Native nations are discussing when considering tourism as a means of
economic development.

In late February, 16 tribal delegates arrived from the Federation of
Saskatchewan Indian Nations in Canada to meet with Pueblo representatives
to discuss tourism issues. The program was called the "New Mexico Indian
Governments Exchange Project, Tribal Tourism & Economic Development."

The delegation visited New Mexico as the guests of ...

Protecting Traditions while Promoting Tourism

03-31-2001

Westerly, Suzanne
News From Indian Country

Protecting traditions while promoting tourism

Protecting traditions, beliefs and sacred sites are among the main issues
Native nations are discussing when considering tourism as a means of
economic development.

In late February, 16 tribal delegates arrived from the Federation of
Saskatchewan Indian Nations in Canada to meet with Pueblo representatives
to discuss tourism issues. The program was called the "New Mexico Indian
Governments Exchange Project, Tribal Tourism & Economic Development."

The delegation visited New Mexico as the guests of ...

Thursday, March 15

Sound of Drums at State Capitol

03-15-2001

Westerly, Suzanne
News From Indian Country

Sound of Drums at State Capitol

The sound of drums and singing filled New Mexico's capitol building Feb. 6,
bringing people to the rotunda to watch dancers from various Pueblos and
Indian Day at the legislature - "Honoring Yesterday, Envisioning Tomorrow."

Established by the state legislature, American Indian Day is set aside "to
recognize and honor the government-to-government relationships with the
twenty-three sovereign Nations of the State of New Mexico."

New Mexico's Governor Gary Johnson issued a proclamation to all the Indian
Nations in ...

Wednesday, February 7

Native American Music Awards 2001, photos























































Photos on Canku Ota -
more photos coming

Wednesday, January 31

Rez-Robics will have you moving to a new groove

01-31-2001

Westerly, Suzanne
News From Indian Country

Rez-Robics will have you moving to a new groove

A new video, Rez-Robics, is going to make people laugh, learn and even get
up and move. Elaine Miles, (Northern Exposure and Smoke Signals), and
comedian Drew LaCapa, were in Albuquerque filming a positive and humorous
new video on diabetes and how to take control of ones health.

On November 28, a film crew began the day's videotaping with Elaine and
Drew joking around and riding a bicycle-built-for-two back and forth on the
hotel driveway. Then everyone went into the studio to get ready to shoot
...