21st Arizona Indian Town Hall

07-31-2001
Westerly, Suzanne
News From Indian Country

21st Arizona Indian Town Hall

The Arizona Commission of Indian Affairs (ACIA) held their 21st Arizona
Indian Town Hall May 21-23 at the Prescott Resort, located on the highest
hill in a valley surrounded by mountains. Prescott, a short drive north of
the Commission's office in toasty Phoenix was cool, green and interesting.

The town, a combination of Victorian and "historic Old West" nestled in a
Ponderosa pine mountain setting, is just southwest of the Yavapai-Prescott
Nation. The Yavapai-Ft. McDowell Nation is near Phoenix.

The idea of the Town ...

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Skydancer.tv Reaches for the Stars [Full Story]

	Canku Ota
	(Many Paths)
	An Online Newsletter Celebrating Native America
	July 28, 2001 - Issue 41
	Skydancer.tv Reaches for the Stars
	by Suzanne Westerly, Photographer / Writer
	The photo of Dan was taken in front of the restaurant in Santa Monica after our interview The two dancers are from the recent Gathering of Nations Pow Wow in Albuquerque - April The photo of Sonny, on right talking with Paul LaRoche (Brulé) on left, andTom Bee (SOAR) in middle, was taken at the FAITA's in 2000.

Santa Monica, California Skydancer.tv will 'tell-a-vision' and broaden programming possibilities entering your home. Over a plate of nachos in a Santa Monica restaurant, Dan talked enthusiastically about Skydancer.tv, "We will be making programming content for various networks, and cable company's, could be anywhere on the globe, actually." On June 17th a partnership between the Oneida Nation in New York, and longtime American Indian Los Angeles-based producers Dan C. Jones (Ponca Tribe of Indians of Oklahoma) and Sonny Skyhawk (Sicangu Lakota Tribe of South Dakota) to create a television production company was announced. The project is believed to be the first television production company owned, operated and funded entirely by Native Americans. Dan and Sonny now in the middle of their first Skydancer.tv project, the World Championships of American Indian Dance, will attend to all the fine points as Dances continue to grow over the next few years. They have been working on the details with NBC Enterprises and Syndication for over a year. "We've been negotiating with NBC, and they have made a tentative agreement to assist us in developing the marketing plans. . and to try to find a way to bring this beautiful culture to ... television so that we can actually have heroes on TV for our children, role models, so to speak. That's really why we're doing this," said Dan. As a Southern Straight Dancer himself, Dan knows the American Indian dance world very well. "The dance itself is a powerful part of American Indian culture," he explained. "Dance is really the heartbeat of American Indian culture." The dances have always had a strong influence on the way American Indians have historically dealt with their relationship with the US government, which has been a rocky one," he said. "The dance at times has been feared by the [U.S.] government to the point of them outlawing the dance around the turn of the last century. A lot of the older dances now that we see; Crow Fair or Rosebud South Dakota or Ponca, OK, my dance, are celebrating their 125th, 135th 130th years." Those numbers actually signify the number of years since the dances were again "allowed" by the U.S. government. "These dances are of course ceremonials that have gone on since we've been here, forever, you know. Certain dances have been so powerful that they have caused massacres. The massacre at Wounded Knee was based on a group of people going to a dance and the dance was the Ghost Dance," said Dan. "American Indian dance is the heartbeat of Native American culture throughout America, and it's really where a lot of our superstars have come from," he said. "The people that have excelled in the dance arena, are the people we have always looked up to. They've been our heroes." Skydancer.tv's Premier Skydancer.tv's first one-hour show will introduce America and the world to American Indian Pow Wow dances and culture. "We want to film in the Northeast, the Southeast, the Southwest and the Northwest as well as a couple of locations in the middle." Dan hopes that after the six locations are identified, there will be a convenient location for "a young dancer who has the dream of becoming a world champion at what he does," and who can "give it a shot at being called the worlds best Native American Dancer." Dan talked about the importance of the drum, and the words being sung during the different dances. In the beginning, "we are basically focusing on what's called an intertribal gathering, these are mutual songs that are shared by large groups. I think one of the historical significant situations that has always happened with the dance, is when the dance becomes popular, it spreads throughout the Indian Nations like a wildfire." Pow Wow dancing is traditionally from the Plains Indian Nations. Dan explained that there were two style of drums, the Northern and the Southern Drum, both incorporate many tribes from their respective regions." Dan and Sonny decided the best people to judge the dancers were "people who have retired from the arena. When [the dancers] have won in one arena for three years, they are generally given the trophy and they retire as undisputed champions." Regarding Nations that do not do Pow Wow dancing like the Pueblos of New Mexico, Dan said, "I think if we are welcome there, that we would definitely highlight certain social dances that they wouldn't mind sharing with the rest of the world." Skydancer.tv will begin with four categories of dance. The audience will get a chance to see and understand the Women's Fancy Shawl Dance, the Men's Fancy Dance, the Women's Traditional, and the Men's Traditional. The work done on the Traditional Dance outfits is incredibly beautiful and elaborate. (close-up photos of bead work) "They are high energy and they are also very stately, we want to introduce these dances slowly," said Dan. There are many other dances, many age groups, and each will be highlighted in different programs. The perseverance and determination of the little ones impress many onlookers. "We all start from toddlers, it's a very serious business," Dan said softly. The Hollywood Scene Dan and Sonny have both been part of the "Hollywood scene" for many years. Sonny has been in Hollywood for the last 30 years working as an actor, a producer, and chairman and founder of American Indians in Film. The organization is dedicated to improving the portrayal of Native Americans in films and TV. Sonny was quoted in a recent press release saying, "Not since James Young Deer, a Winnebago in the silent era, have we as American Indians been poised to take control of our image. We intend to truly define the dynamic experience and life of our people in the most powerful mediums of film and television." Dan, or Sasuweh, his Indian name, began his career as "an artist working on single frames of a picture when it dawned on me the meaning of moving pictures, so I got into film about 20 years ago." Most of Dan's films have been documentaries. Dan has studied Indian storytelling all his life, but over the last five years, he has been studying Western narrative structure. "Basically, what is drama? I discovered that the Western mind has a certain way they are used to hearing stories - a beginning, middle, and an end. I became very intrigued at the difference in the Western mind compared to what I knew from my world. I am now studying the Western narrative structure in-depth. The writings of Aristotle, the poetics and just how you create drama and what drama actually is." Dan is also a member of the Native American Media Task Force in Los Angeles, California. An important part of Skydancer.tv will be a large web presence. This will enable people throughout the world to access their productions. The first broadcast is targeted for the late 2002, early 2003. New Horizon's for the Oneida Nation If you are on the Internet, you may be aware of the Oneida Nation's other venture into the entertainment industry with NBC. Called the Four Directions Talent Search, it involves a nation-wide search for Native American actors, comedians and writers. Skydancer.tv is one of the latest progressive endeavors of the Oneida Nation. Representative and CEO Ray Halbritter was quoted in a recent press release saying, "With a major talent search underway, the next logical step is to establish a presence in Hollywood. Skydancer.tv, Sonny, and Dan fit right into the Nation's goals of creating opportunities for Native talent in the entertainment industry. Their experience will be invaluable to our expanding efforts to bring more Native voices to film, television, theater and new media." Halbritter also expressed his pleasure with NBC in its dedication for helping bring the voice of Native people to television and other entertainment venues. For Skydancer.tv, this is only beginning. Expanding into commercials, music videos, and event production are all being discussed by the Nation. "As Native people of the United States, our mythologies, our stories are America's stories. They speak of and belong to this land. We all are tied to this land and discovering its rich stories will unite us as a country. People are going to get a lot out of what we are doing and it's great to have a partner in the Oneida Nation that understand this," said Dan. Go to the Oneida Nation's Internet site www.oneidanews.net for more information. Suzanne Westerly Photographer / Writer Malibu, California 90265 since 5-03, suzanne@photosofaloha.com

Riding in on the Waves at Midnight, full article

	Canku Ota
	(Many Paths)
	An Online Newsletter Celebrating Native America
	August 25, 2001 - Issue 43
	Riding in on the Waves at Midnight
	by Suzanne Westerly Journalist/Photographer

San Diego, California The annual Grunion Festival was held on a typical warm sunny day in July at Pacific Beach. Organizers and performers from the Juaneno Band of Mission Indians Acjachemem Nation and the Kumeyaay Nation organized a wonderful afternoon. People from near and far, gathered for the annual Grunion Festival, which is a revival of a tradition of the Southern California Indians. "Today is the event that brings the ocean, the desert and the mountain people together," said Joyce Perry, "a social event for the indigenous people and an educational event for the non-indigenous people. This is Abel's vision. He has been doing this for a long time." Festival coordinators Abel Silvas and Joyce Perry, members of the Juaneno Band of Mission Indians were the main organizers. Abel is on the Juaneno Tribal Council; Joyce is the Tribal Manager and Repatriation Consultant. Abel also works as a comedienne, actor, and teacher. Joyce is also into education as the President of Payomkawichum Kaamalam, a non-profit educational organization that was the fiscal sponsor of this year's event. The Festival is a celebration of a fish that today is called the grunion. For thousands of years, this interesting fish has surfed in on a wave to lay its eggs at high tide after a new or full moon. Originally the fish was called Hashuupill a Kumeyaay/Diegueno word meaning fish out of water, or Ha-il, a Paipai word meaning waterworm. Long ago grunion and mollusks were gathered at the ocean by the Kumeyaay, and Acjachemem people. As seasonal hunters and gatherers the Acjachemem lived and traveled throughout what is now Orange County, parts of San Diego, Riverside and Los Angeles counties. The Kumeyaay lived and traveled in what is now called San Diego County and northern Baja California. Today at Pacific Beach, a community on the north of San Diego, nothing much has changed for the grunion, who still ride the waves in as they have for many centuries. For the people though, much has changed. As the crowd of Festival-goers grew, the live entertainment began. The Fourwinds, a Native American music ensemble started the performances. They were followed by the Alta/Baja Kumeyaay Bird Singers & Dancers. Running Grunion Abel introduced the exhibitors at the various arts, and educational booths that people visited throughout the day. He then introduced the audience to the Grunion. "Grunion, meaning grumpy, or agitated, was the word the Spanish gave to the fish," he explained. "Little did they know, they were not agitated, they were spawning. Two days after a full or new moon at high tide, the fish ride the surf onto the sand. The females bury their tails about four or five inches into the sand, and release their eggs. On the next couple of waves, the male fish do their thing." After telling the traditional Acjachemem creation story, he gave the crowd some history. "Then comes historical times - hysterical is what we call it," he laughed. In San Diego, they consider prehistory the time before Cabrillo came in 1542. "Columbus came in 1492, but that was on the East Coast." Juan Cabrillo began "charting for safe harbors along the coast in 1542 and that is when he met with the Native people here." Other Spanish explorers came but didn't stay, "so we still consider that pre-contact. About 65 years later in 1769, the first European troops came to San Diego." July 16th the Portola's expedition began their ultimate goal of claiming California. On July 18th the expedition took off going north to find Monterey. The priests* who stayed behind recorded their first village here - Pacific Beach," said Abel. "They called us heathens in their writings. They also said at least fifteen women and children came out and greeted them happily. The Europeans were practically skeletons, we gave them food. This is considered the Thanksgiving of this area, and this is why we gather up and down the coast around this time." The Cupa Cultural Center (Pala) Bird Singers and Dancers who ranged in ages from young teens to older men followed Abel's presentation. They filled the air with their songs as they danced traditional steps to the rhythm of the gourds. Education and the Arts Among some of the educational exhibits was a slide presentation, "Planet Earth Express" shown by Birch Aquarium at Scripps Institution of Oceanography. Jet Propulsion Lab (JPL)/NASA brought a telescope so people could look at the sun (only through a special filter) and later observe the whisper of a moon and the stars. There was also a booth where elders displayed the beautiful and useful traditional Kumeyaay basket that they had made. The intricate art of basketweaving continues today. The California Center for the Arts SUAVE (United Community for Arts in Education) program, based in Escondido had all kinds of interesting items on their table in their booth for the children to experiment with. Learning through the arts is the focus of SUAVE. It is an arts integrated approach to teaching and learning in multi-cultural and multi-lingual settings. At the Festival, program coaches Silvia Mejia (Juaneno), Berta Villaescusa, and Mindy Donners had as much fun as the kids did. Besides the work she does with the youth through SUAVE, Silvia travels around the area teaching cultural studies classes. She shares information her grandmother told her about the routes up and down the coast she (grandmother) took as a young woman. Abel is also a part of the year-round SAUVE program that is brought into the area schools. The program merges traditional arts with the students' regular studies. "We are hired all year around to be in the classrooms with the teachers," Abel explained. "So it's no longer, 'put your math away it's art time,' now it's 'we are going to do arts and math.' It's very successful. In fact last year we got a Fullbright grant to go to India where we studied arts and education with a hundred teachers from all over India." Naturally, there was plenty of food for everyone. Each year Mr. Brown, the Director of Education on the Kumeyaay reservation supplies the food and cooks it himself, with a little help. As the Director of Education, he is in charge of ninety children ranging from two to seventeen years old coming from the many Southern California Bands. The State Education Department has been funding the program over the last thirty years. Mr. Brown stressed the fact that no gaming funds are used. The program is funded by the California Department of Education and run by a Board of Directors, independent of the area's Tribal governments. Cultural practitioner Mingo Belardes, of the Juaneno Band of Mission Indians manned the Coastal Indian Village Exhibit. Mingo is the Curator for the 200-year old Blas Aguilar Adobe Museum and Cultural Center in San Juan Capistrano. "About 10 years ago I started reproducing artifacts I would see on site. Bone tools, stone tools, bows and arrows. I am still trying to gather more for the display." This is an ongoing project for Domingo. He gets requests to bring his good-sized display with him as he shares his knowledge about the people of the Acjachemem Nation with school children and adults at various public events. The museum where is Curator in San Juan Capistrano "depicts the history before contact with the Spanish, then the Mission or Rancho period and into the turn of the century and the present. It shows how the Indians adapted, became cowboys, yet they always had that contact with the Native part of life, they still knew the traditions and incorporated them into their way of life. Who was Antonio Garra? Abel then introduced Jose Rivera, Director of Education at the Marin Museum of the American Indian as his guru. He said Jose inspired him to research his own heritage. Jose has created Living History presentations that bring the listener back in time. Jose has "Apache blood and blood from the other side of what is the border." At the Festival, he portrayed the Indian hero Antonio Garra, an early day social justice advocate. Garra was a Cupeno Indian who led the 1851 Indian tax revolt in Southern California. Garra was also known as a fighter for Indian rights such as due process in the American judicial system. Unfortunately he was unfairly tried and killed for his brave efforts because he was the leader of his people, like so many Indian leaders throughout the country were. He did not receive due process in the American judicial system. The First Real Cowboys Were Indians "The contribution the California Indians have made, not just to our state heritage, but our national heritage has been overlooked for too long," said Jose. "Most historians will agree that the American cowboy didn't show up on the scene until the 1850's. And when he showed up, he found already in place a highly evolved cattle culture. Who were they? The Indians and the Mestizos, the international symbol of the U.S. around the world. But who came first the American cowboy or the California Indian Vaquero who was punching doggies and all those cowboy things in the 1770's here in California. In reality it was the Indian and Mestizos buckaroos who taught the American cowboy his trade and terminology. And that's where the American cowboy got the word buckaroos, because he was emulating the vaqueros." Jose explained that 30 years before Jesse Chissom blazed the famous trail that bears his name by bringing cattle up from Texas to Abilene and Dodge to take the cattle to market in Chicago, Southern California was already known as cow country. "So in reality the first great American cattle drive occurred in California and the American Indian vaqueros preceded the American cowboy, and that is the true contribution of California Indians to American culture." Living History Presentations Jose's Living History Presentations are very powerful, helping the audience to really feel and learn the true California history that is not taught in schools. "I've been doing Living History presentations for about 12 - 15 years. It started out as a campfire program; I am a retired Forest Ranger. I started working with the California Council of Humanities and the Chautauqua Living History performances and I felt it was very important to have the voice of the Native Californian Indians come back and be revisited because they have been overlooked for so long. Many people don't realize all the great leaders that came out of California among the indigenous people," said Jose. "Like Antonio Garra, if you look at his tactics and what he tried to do, he was doing the same thing Tecumseh and Sitting Bull were doing, unifying traditional people who were never unified before to fight a common enemy. The living history performance is a way to make that history come alive. When you think about it, Antonio Garra revolted against the United States for the same reason the American founding fathers revolted against England. Things like taxation without representation, and failure of due process in the judicial system. So here we had a southern California Indian revolting against the United States for American principals." Jose explained what a terrible time-period that era was for Native people. "There was such a repressive tax in California, the law was basically slavery, the Indenturement Law. That law and the Vagrancy Law were thin facades for Indian slavery in California." "A lot of history is not known." California Indians Today Jose continued, "Many people say the California Indians are now extinct. When you come to something like this, the Grunion Festival or the Earth Renewal Dance, you start seeing that in reality, California Indians have never disappeared, and that through the culture of tenacity they have made California the hotbed for federal tribal recognition nationally. There are more cases of federal tribal recognition in California." "A lot of those cases were based out of the Determination Period because they were previously recognized as sovereign people and it just so happened that a lot of the problems the California Indians have faced in contemporary y times is because of John Warner. John Warner was the first Senator of California. He led the California Caucus to not ratify the 18 treaties signed in California. John Warner was the one who put the Injunction of Secrecy over that failure to ratify those 18 treaties for 50 years. So, Warner had quite a bit to do with the situation of the California Indians even today. It was because of the selfishness of Mr. Warner. He wanted the Hot Springs, he wanted the village, Cupa and that is how the California Indians were treated statewide." California Indian Trail of Tears What about the Springs today? "The springs are about 40 miles east of here. Traditional people went to the beautiful Hot Springs for healing. The people were forced out of there. This was a California Indian Trail of Tears. They (directed by Warner) just rounded them [the Indians] up and marched them out of there to Pala. In ancient days, families would get together, they would sing songs, it was so nice, it was paradise. Today the Hot Springs area is a resort." Jose has created three different Living History California Indian Chatauqua presentations from Northern, Central and Southern California. At the Marin Museum of the American Indian, he talks about all the native cultures on the continent. "We have a summer camp coyote program where we have kids from six years to twelve years old for one week. Every day we highlight a different Native American region. We include regional foods also. So it's a Native American summer camp. We also provide a lot of scholarships. We work a lot with the Native People in the Bay area." Find out what Jose is up to at www.MarinIndian.com . He plans to update the site soon. You can also hear him on the California Indian Radio Project aired on NPR and KPFA. Project Pacific Another educational booth displayed information on the ocean how they helped the grunion survive. Project Pacific is devoted to actions that benefit the ocean. Because of their work, the city of San Diego will not to rake the seaweed or kelp during the time their eggs are in the sand, giving the Grunion a better chance for their eggs to mature. Their web site is www.projectpacific.org . "Tree" Cody Robert Tree Cody (Maricopa and Dakota) internationally known Native American flutist emerged from the ocean smiling, carrying his boogey board under his arm. Later he would perform, now he was 'surfing'. His wife Marlene (Assinibone Yankton Sioux, Pawnee, Mohave), their four sons and other family members were all having a great time. Marlene's voice can be heard on several of his recordings. Tree talked about the festival, "the Grunion Festival represents many tribes that are still present in Southern California. I have been doing this for four years with Abel. Each year it gets bigger and better. I had a great time boogey boarding out there today." Tree picked up a flute at his Grandpa's house when he was only five years old. He taught himself and along the road, also learned from a few teachers he met. "I keep on learning, never stop learning." About 25 years ago he started blending traditional music with modern music from different country's and has performed with people from cultures. Though he can't read music, it comes from "my mind, my spirit, my heart, the three elements that brings out my music." He mentioned that many are aware that Iron Eyes Cody, is his dad. "Despite the controversies, people only hear one side of the story." He explained, "I know my father, I am his true son. My brother and I were adopted by him when we were babies. He was the one who showed me the [entertainment] business. He took me to Hollywood. I was doing Walt Disney shows with my dad when I was about eight years old." Tree was scheduled to perform with Janice-Marie Johnson in the evening. "I have been working with the famous, Janice-Marie Johnson with a Taste of Honey. She sings rhythm and blues. We have done a lot of shows together and tonight she will come from Pasadena to perform a duet with me." Later in the evening Tree performed a few songs on his flute, and was then joined by Janice-Marie for the Grande finale. They performed "Let Love Rain Down", which Janice-Marie wrote as a tribute to her Native American heritage. "Let Love Rain Down" is from her current release Hiatus of the Heart and was inspired by her Stockbridge-Munsee Indian roots. They have recorded an album together, which will be released soon. Tree accompanies Janice-Marie, singing in Lakota, a side not many people know about him. To find out where Tree is touring, look up www.treecody.com. And to find out more about Janice-Marie go to http://artists2.iuma.com/IUMA/Bands/A_Taste_Of_Honey. Midnight and the Grunion The cool night air drew many to the warm campfire in the sand. Around 10 p.m. people starting watching the incoming high tide for Grunion. Around midnight, the Grunion arrived on the waves and wiggled in the sand. Mission accomplished, they caught another wave back out to sea. In a couple of weeks, baby grunion will appear and they too, will catch the tide out to sea. Perhaps one day, you too will witness the Grunions wiggling in the sand like the Southern California Indians have for thousands of years. The Festival was sponsored by theViejas Band of Kumeyaay Indians, The City of San Diego Commission for Arts and Culture, Abel Silvas, Szekey Family Foundation, Hearthside Homes Inc , and The Westerners - the First People of Earth Mother (Payomkawichum Kaamalam). * When the Spanish "conscripted" - or enslaved local Indians forcing them to build the missions, they consistently named the Indian groups after the mission whose jurisdiction they were under. The 25,000 to 30,000 Natives in the area were named the Diegueno. Kumeyaay was created by Native people in the 1970's and it includes all the Yuman-speaking Indians of Imperial County over the mountains east of San Diego County.

Suzanne Westerly Writer/Photographer Los Angeles, CA 310-317-6922 310-569-1644

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